Results 151 to 160 of about 485,815 (196)
Some of the next articles are maybe not open access.
2014
Abstract Music signals possess specific acoustic and structural characteristics that are not shared by spoken language or audio signals from other domains. In fact, many music analysis tasks only become feasible by exploiting suitable music-specific assumptions.
Meinard Müller, Anssi Klapuri
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Abstract Music signals possess specific acoustic and structural characteristics that are not shared by spoken language or audio signals from other domains. In fact, many music analysis tasks only become feasible by exploiting suitable music-specific assumptions.
Meinard Müller, Anssi Klapuri
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Brain Organization for Music Processing
Annual Review of Psychology, 2005Research on how the brain processes music is emerging as a rich and stimulating area of investigation of perception, memory, emotion, and performance. Results emanating from both lesion studies and neuroimaging techniques are reviewed and integrated for each of these musical functions.
Isabelle, Peretz, Robert J, Zatorre
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2012
This article reviews behavioural, psychoanalytic, and humanistic music therapy. It then discusses Neurologic Music Therapy (NMT), the Rational–Scientific Mediating Model (R–SMM), and the Transformational Design Model (TDM). NMT techniques address cognitive, sensory, and motor dysfunction resulting from disease of the human nervous system. NMT theory is
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This article reviews behavioural, psychoanalytic, and humanistic music therapy. It then discusses Neurologic Music Therapy (NMT), the Rational–Scientific Mediating Model (R–SMM), and the Transformational Design Model (TDM). NMT techniques address cognitive, sensory, and motor dysfunction resulting from disease of the human nervous system. NMT theory is
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Musical transfer functions and processed music
IRE Transactions on Audio, 1962Increasing complexity in the combinations of music and electronic technology suggests a general model of the musical transfer function. Conventional transfer includes: 1) universe of tones, 2) composer, 3) score, 4) performer, 5) musical instrument, 6) audience.
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Thinking Music: Processes of Musical Cognition
2009Art is a cultural system, Clifford Geertz1 said nearly four decades ago. He added that the analysis of art forms is not the same as research of scientific law, but that it requires interpretive analysis in search of meaning. Interpretive, reflective analysis of musical thinking in society – music as societal “cognition in action” – is exactly what this
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2013
Foundations of musical signal processing innovations in musical signal processing musical signal processing composition and signal processing.
Roads, Curtis +3 more
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Foundations of musical signal processing innovations in musical signal processing musical signal processing composition and signal processing.
Roads, Curtis +3 more
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2015
Digital technologies have irrevocably altered the entire music process from song creation to royalty distribution, and the result has been total chaos in the music industry. New laws, including digital rights, new processes and new business models are rapidly changing in an effort to return the music process to an equilibrium level.
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Digital technologies have irrevocably altered the entire music process from song creation to royalty distribution, and the result has been total chaos in the music industry. New laws, including digital rights, new processes and new business models are rapidly changing in an effort to return the music process to an equilibrium level.
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2012
Here’s a commonplace experience: you are walking in a shopping mall when you hear a tune being played in the background. It takes you a moment but then you realize that it is a song that you last heard 20 years ago, which has now been redone—perhaps unfortunately—as an advertising jingle.
Robert J. Zatorre, Jean Mary Zarate
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Here’s a commonplace experience: you are walking in a shopping mall when you hear a tune being played in the background. It takes you a moment but then you realize that it is a song that you last heard 20 years ago, which has now been redone—perhaps unfortunately—as an advertising jingle.
Robert J. Zatorre, Jean Mary Zarate
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1996
This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications. It covers aspects of sound synthesis, with particular emphasis on sound synthesis through physical modelling.
G. Borin, G. De Poli, SARTI, AUGUSTO
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This contribution is the Chapter 1 of a volume devoted to sound processing for musical applications. It covers aspects of sound synthesis, with particular emphasis on sound synthesis through physical modelling.
G. Borin, G. De Poli, SARTI, AUGUSTO
openaire +1 more source