Results 11 to 20 of about 61,226 (311)

Music Production Cultures

open access: yes, 2022
Music Production Cultures draws on interviews with international educators, surveys completed by students of music production from around the globe, doctoral research findings and contextualised career experiences from the author as a celebrated music producer to explore how effective learning environments can be created for popular music production in
Anthony, Brendan
openaire   +3 more sources

Music Scoring for Film Using Fruity Loops Studio [PDF]

open access: yesE3S Web of Conferences, 2020
Making music for a film can be said to be quite challenging for some people with the necessity that music can evoke the atmosphere in the film. Determination and placement of audio aspects into visual form are things done in the music scoring process. Of
Febrian Arsya   +3 more
doaj   +1 more source

Production and Consumption Model of a Modern Music Product

open access: yesSocio-Cultural Management Journal, 2021
Introduction. The relevance of the study is in the formation of conceptual and terminological apparatus for the functioning of the music industry in Ukraine, the identification of music product producers, determining the specifics of music product and its essence, to develop an effective mechanism for copyright protection of authors and performers ...
Parkhomenko Iryna, Berezovska Kateryna
openaire   +3 more sources

Agile methodologies between software development and music production: an empirical study

open access: yesFrontiers in Computer Science, 2023
Over the past 20 years agile methodologies revolutionized Information Technology, offering tremendous opportunities for the development of Software Engineering as an independent discipline.
Paolo Ciancarini   +4 more
doaj   +1 more source

Cultural Categories of Distribution of Iranian National Music [PDF]

open access: yesTaḥqīqāt-i Farhangī-i Īrān, 2021
Among the three main domains of production, distribution and consumption, Iranian national music has specifically received little attention from contemporary researchers.
P. Javadzadeh   +3 more
doaj   +1 more source

Formation of national self-consciousness of future musical art teachers in the process of their professional training [PDF]

open access: yesSHS Web of Conferences, 2021
The authors of the paper analyze the definition of “national self-consciousness” and outline its structure, which includes self-esteem, socio-psychological expectations, and self-identification.
Kovalchuk Vasyl   +3 more
doaj   +1 more source

Introduction to the Sociology of Music Technologies: An Ontological Review

open access: yesmethaodos.revista de ciencias sociales, 2022
Adorno’s work, in particular the texts dealing with the relationship between music and social behaviors or structures, has been the target of criticism, especially in the second half of the 20th century, being considered by many to be generalist ...
José Cláudio Siqueira Castanheira
doaj   +1 more source

The genetic basis of music ability

open access: yesFrontiers in Psychology, 2014
Music is an integral part of the cultural heritage of all known human societies, with the capacity for music perception and production present in most people.
Yi Ting eTan   +6 more
doaj   +1 more source

In Search of the Golden Age Hip-Hop Sound (1986–1996)

open access: yesEmpirical Musicology Review, 2017
The notion of a musical repertoire's "sound" is frequently evoked in journalism and scholarship, but what parameters comprise such a sound? This question is addressed through a statistically-driven corpus analysis of hip-hop music released during the ...
Ben Duinker, Denis Martin
doaj   +1 more source

A History of Audio Effects

open access: yesApplied Sciences, 2020
Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making.
Thomas Wilmering   +3 more
doaj   +1 more source

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