Crossmodal counterpoint: from music to multimedia - incongruency, cognitive dissonance, irony, and surrealism. [PDF]
Front PsycholSpence C, Di Stefano N.
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Understanding college student's continued intention in choirs through music quality and psychosocial influences. [PDF]
Sci RepYue Y, Qu P.
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The role of Big Five personality domains and facets in musical sensibility: a twin study. [PDF]
Sci RepHansen HMU +6 more
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'Play the fragrance': Designing musical soundscapes to match fragrances based on olfactory-auditory crossmodal correspondences. [PDF]
IperceptionSpence C +4 more
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On Hanslick and the musically beautiful
, 2018 The content of music is not the representation of specific feelings, rather the content of music is forms realised in tone.Eduard Hanslick is known for his negative story and formalistic claims. After having discussed the claims of the negative story the main emphasis of this thesis is to enable a proper reading of Hanslick’s positive story. Hanslick’s
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The neurocultural remake reflex model: An interdisciplinary tool for understanding film remakes. [PDF]
MethodsXBegum M, Mukherjee A.
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ORchestra: a reflective model for harmonized surgical team communication. [PDF]
Perioper Med (Lond)Rarani SA.
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Multifactorial influences on musical creativity: an integrated perspective on cognitive and social capital factors. [PDF]
Front PsycholBen S, Zheng W, Li X.
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Differences in dynamic functional connectivity between musicians and non-musicians during naturalistic music listening. [PDF]
Front NeurosciDai R +3 more
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