Results 21 to 30 of about 118 (118)

Первые страницы органной Сибирианы: о сюите для органа А. П. Новикова

open access: yesВестник музыкальной науки, 2014
Статья посвящена первому произведению для органа, написанному в Сибири - Сюите в трех частях А. П. Новикова (1909-1979) -одного из пионеров строительства музыкальной культуры в сибирском регионе. Сочинение посвящено дочери композитора Е.
Гончаренко, Светлана Сергеевна
doaj   +1 more source

Soviet Empire and Operatic Realm: Stalinist Search for the Model Soviet Opera

open access: yesRevue des études slaves, 2013
This paper analyzes the phenomenon of classical opera used (and abused) by the Soviet officials as an instrument to re-build an imperial common consciousness on a new, Soviet ground and, thus, create a transnational political space of a very special ...
Irina Kotkina
doaj   +1 more source

Отражение ранних вариантов советских национальных языков в московских русско-иноязычных словарях

open access: yesActa Baltico-Slavica, 2015
Reflection of early Soviet dialects of national languages in Russian bilingual dictionaries published in Moscow After the October Revolution, over half of the citizens of the new Russian state were non-Russians.
Jolanta Mędelska, Marek Cieszkowski
doaj   +1 more source

The Reason for Portraying Images of Animals on the Instrument of Daf Based on Khaghani Sharvani's Poems [PDF]

open access: yesمتن شناسی ادب فارسی
Visual arts have witnessed the emergence of various roles and themes throughout history, resulting in the development of diverse methods and platforms within the industry. In the realm of urban music, specifically in Iran, musical instruments are adorned
Mohammad Jafari   +3 more
doaj   +1 more source

The commonalities between melodic line, geometric line, and environmental topography in traditional cultures of Northern Siberia: “landscape aesthetics” as a model of musical genesis

open access: yes, 2021
This paper introduces a new field of study - systematic geomusicology. I start by summarizing the correspondences between the properties of physical objects and the attributes of music structures. Then I present the evidence that cross-modality constitutes the characteristic trait of music that distinguishes it from other auditory stimuli.
openaire   +1 more source

From mammoth to miniature: ‘Model of a summer encampment of the Yakuts’ as a narrative object Du mammouth à la miniature : La maquette de camp d’été des Yakoutes comme objet de narration

open access: yesJournal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 111-131, March 2026.
Classic anthropological accounts of miniature objects have focused on their spatial and aesthetic dimensions, with more recent work addressing their communicative potential, connections with play, and role in protecting threatened cultural knowledge. This article analyses responses to a miniature landscape model of yhyakh, a festival celebrated in the ...
Alison K. Brown
wiley   +1 more source

Ontological polyglossia: the art of communicating in opacity* Polyglossie ontologique : l'art de communiquer dans l'opacité

open access: yesJournal of the Royal Anthropological Institute, Volume 32, Issue 1, Page 293-312, March 2026.
What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
wiley   +1 more source

The Tomsk Branch of the Russian Musical Society as a Socio-Cultural Phenomenon of Siberia, the Late 19th and Early 20th Centuries

open access: yesObservatory of Culture, 2014
The Tomsk Branch of the Russian Musical Society as a Socio-Cultural Phenomenon of Siberia, the Late 19th and Early 20th Centuries (by Tatiana Zima) considers this unit of the Russian Musical Society as the all-Siberian phenomenon and analyses the causes of its success.
openaire   +2 more sources

Phonographic Recordings in Finno‐Ugric Languages in Finnish Archives

open access: yesMuseum Anthropology, Volume 49, Issue 1, Spring 2026.
ABSTRACT This review discusses audio recordings made by Finnish scholars among the Russian Arctic people in the early twentieth century and stored in various archives in Finland. The background of the recordings, together with their broader meaning and the possibilities for research they offer, is brought out.
Karina Lukin
wiley   +1 more source

“Seen Again”: Ethnography, Immersive Technologies, and Temporality in the Siberian Collections at the Pitt Rivers Museum

open access: yesMuseum Anthropology, Volume 49, Issue 1, Spring 2026.
ABSTRACT This paper proposes Virtual Reality (VR) and 360 film as promising fieldwork tools for addressing problematic temporalities in ethnographic museums and for collaborating with communities of origin. Focusing on the Maria Czaplicka Siberian collections at the Pitt Rivers Museum, Oxford, we examine how previous methods of display marginalized the
Anya Gleizer   +2 more
wiley   +1 more source

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