Results 21 to 30 of about 617,485 (286)
The influence of body movements on children's perception of music with an ambiguous expressive character. [PDF]
PLoS ONE, 2013 The theory of embodied music cognition states that the perception and cognition of music is firmly, although not exclusively, linked to action patterns associated with that music. In this regard, the focus lies mostly on how music promotes certain action
Pieter-Jan Maes, Marc Leman
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CZY MAMY OBIEKTYWNE PODSTAWY DO ORZEKANIA, CO WYRAŻA MUZYKA? KONWENCJE ROZPOZNAWANIA ZNACZEŃ EKSPRESYWNYCH WEDŁUG PETERA KIVY [PDF]
The Polish Journal of Aesthetics, 2002 The following considerations concern Peter Kivy’s theory of musical expressiveness. Kivy integrates seventeenth and eighteenth – century theories with recent ones and he shows how emotive description ofmusic may be intelligible both for a ...
Anna Chęćka-Gotkowicz
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The Musical Adjustment of Intonation in Wind Instruments during Classicism
Известия Уральского федерального университета. Серия 2: Гуманитарные науки, 2017 This article considers the features of instrumental intonation in the era of Classicism. The importance of the work is determined by the fact that the author reveals the musical and rendering aspects characteristic of the period in question.
Konstantin Aleksandrovich Kvashnin
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Musical expressiveness and listeners' emotional involvement.
, 2006 This essay investigates the issues and arguments raised with regard to musical expressiveness and listeners' emotional involvement in music. It begins with an overview of the various perspectives advanced in regard to musical expression.
Chung, Hye-yoon
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Adio Chiustenge musical by the dobrogean composer Dumitru Lupu and librettist Carmen Aldea Vlad: subject and dramaturgy [PDF]
Dialogica: Revistă de Studii Culturale și LiteraturăThe article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the
Inga CEBAN
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A concept to facilitate musical expression [PDF]
Proceedings of the fourth conference on Creativity & cognition - C&C '02, 2002 In this paper, we propose a concept for helping performers to freely demonstrate their musical expression. This approach divides all of the musical elements into non-expressive elements and expressive elements and allows the performer to directly manipulate the performance with the expressive elements. We illustrate three prototype systems based on the
Chika Oshima +3 more
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The literary basis of the musical „Adio Chiustenge!” [PDF]
Dialogica: Revistă de Studii Culturale și LiteraturăThe article focuses on a significant aspect of Romania’s musical-theatrical history, namely the musical „Adio Chiustenge!” , composed in 2016 by Dumitru Lupu, a composer from Dobrogea, in close collaboration with poet Carmen Aldea-Vlad, the author of the
Inga CEBAN
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Empirical Musicology Review, 2013 Over the last three decades, there has been an increasing number of empirical studies on how music conveys and induces emotional expressiveness, revolving around both the longstanding discourse over compositional and performance features related to ...
Jin Hyun Kim
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Слобожанський науково-спортивний вісник, 2018 Purpose: investigate the impact of musical rhythmic education on the development of artistic abilities of gymnasts 6–8 years. Material & Methods: study involved 20 gymnasts aged 6–8 years who are trained at the initial training stage in the Youth Sport ...
Alla Mullagіldіna +2 more
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The principle of laughter in Byelorussian vocal culture as a form of reflection on images of the world [PDF]
Muzikologija, 2014 This paper considers particular ways of organizing musical material in songs connected with the culture of laughter, as well as the coordination and interaction of different artistic spheres in this group of traditional Belarus song forms.
Tawlai Galina V.
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