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BYZANTINE ARTS AESTHETIC PRINCIPLES IN MUSIC AND ICONOGRAPHY
SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings, 2014 openaire +1 more source
Sexual and Gender Diversity within the Black Men who have Sex with Men HIV Epidemiological Category. [PDF]
Sex Res Social Policy, 2016 Wilson BD, Miyashita A.
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Musical Hypnosis: Sound and Selfhood from Mesmerism to Brainwashing [PDF]
Soc Hist Med, 2011 europepmc +1 more source
The Polish School of Poster Art: Posters From the University of Northampton's Osborne Robinson Collection [PDF]
, 2011 Abbatt, Clare +3 more
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S. Psaroudakes, Archaeomusicology and Ethnomusicology in Dialogue, "Eulimene", 4, 2003, pp. 189-200. [PDF]
, 2009 Restani, Donatella
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Sheet Music Iconography and Music in the History of Transatlantic Minstrelsy
Modern Language Quarterly, 2009This essay focuses on how aural and visual media intersected with class when, in 1843, blackface performers began to call themselves minstrels. Not merely a rebaptism, this new name marked a rebirth. Whereas blackface was originally a working-class theatrical experience passed on orally from performer to performer and from performer to audience ...
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