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Sheet Music Iconography and Music in the History of Transatlantic Minstrelsy
Modern Language Quarterly, 2009This essay focuses on how aural and visual media intersected with class when, in 1843, blackface performers began to call themselves minstrels. Not merely a rebaptism, this new name marked a rebirth. Whereas blackface was originally a working-class theatrical experience passed on orally from performer to performer and from performer to audience ...
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Africanist Ethnomusicology and Musical Iconography: a dialogue with travelogues and music theory
2022Within the framework of a programme supported by the Agence Nationale de la Re-cherche on the harps of Central Africa, a collaboration between ethnomusicologists and iconographers of Western music was established around the musical iconography contained in travellers' accounts in the 19th century.
Fürniss, Susanne +2 more
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Mestizo Musical Iconography: Manila’s Santo Niño Cradle
Cultural and Social History, 2019ABSTRACTDuring the eighteenth century, the artistic exchange between the Chinese coasts and the rest of the world was noteworthy.
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Inventory of Music Iconography
The Galpin Society Journal, 1987Jane Farrington, Terence Ford
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Study Group on Musical Iconography
2015Nel breve contributo l'autrice, in qualità di chair dell'IMS Study Group on Musical Iconography, presenta i convegni internazionali e le attività di ricerca ideati, organizzati e programmati dallo Study Group nel 2015 e nel 2016.
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A Dataset and a Convolutional Model for Iconography Classification in Paintings
Journal on Computing and Cultural Heritage, 2021Federico Milani, Piero Fraternali
exaly
IIMS Study Group on Musical Iconography
2013Nel breve contributo l'autrice, in qualità di chair dell'IMS Study Group on Musical Iconography, presenta i convegni e i seminari di ricerca internazionali ideati e realizzati nel corso del 2012.
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IMS Study Group on Musical Iconography
2012Il breve contributo contiene il report ufficiale delle attività svolte nel corso del 2012 dall' IMS (International Musicological Society), Study Group on Musical Iconography, e in particolare della study session su "Multiple Identityies of Music and Culture as Visualized in European Art", ideata e presieduta da N. Guidobaldi con Bjoern R.
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