Results 31 to 40 of about 590,146 (302)

Enescian Pianism and Interpretative Style in Chamber Music Works: Impromptu Concertant for Violin and Piano, Concertstück for Viola and Piano, Légende for Trumpet and Piano and Cantabile et Presto for Flute and Piano

open access: yesStudia Universitatis Babeş-Bolyai. Musica
he idea of writing about and delving into Enescian pianism came to me while I was preparing two Enescu recitals, one as part of the Musica Barcensis Festival, the other one as part of George Enescu International Festival (in Sinaia).
Gina-Mihaela PAVEL
doaj   +1 more source

Musical twofoldness [PDF]

open access: yes, 2012
The concept of twofoldness plays an important role in understanding the aesthetic appreciation of pictures. My claim is that it also plays an important role in understanding the aesthetic appreciation of musical performances.
Nanay, Bence
core  

Algorithms as scores: coding live music [PDF]

open access: yes, 2011
The author discusses live coding as a new path in the evolution of the musical score. Live-coding practice accentu- ates the score, and whilst it is the perfect vehicle for the performance of algorithmic music it also transforms the compositional process
Magnusson, Thor
core   +2 more sources

Epilepsy‐Associated Variants of a Single SCN1A Codon Exhibit Divergent Functional Properties

open access: yesAnnals of Clinical and Translational Neurology, EarlyView.
ABSTRACT Objective Pathogenic variants in SCN1A, which encodes the voltage‐gated sodium channel NaV1.1, are associated with multiple epilepsy syndromes exhibiting a range of clinical severity. SCN1A variants are reported in different syndromes, including Dravet syndrome, which is associated with loss‐of‐function, whereas neonatal/infantile‐onset ...
Lanie N. Liebovitz   +3 more
wiley   +1 more source

MI as a predictor of students’ performance in reading competency [PDF]

open access: yes, 2012
The purpose of this study was to examine whether performance in MI could predict the performance in reading competency. The other objectives were to identify the components of MI which are correlated with the reading test scores, and to determine the ...
Hajhashemi, Karim, Wong, Bee Eng
core   +1 more source

Self‐Healing and Stretchable Synaptic Transistor

open access: yesAdvanced Functional Materials, EarlyView.
A self‐healing stretchable synaptic transistor (3S‐T) is realized using a p‐PVDF‐HFP‐DBP/PDMS‐MPU‐IU bilayer as gate insulator, where dipole‐dipole interaction enhances polarization to achieve a large memory window. Leveraging its neuronal biomimicry, the synaptic transistor demonstrates electrically compatibility with the biological brain. Furthermore,
Hyongsuk Choo   +10 more
wiley   +1 more source

The story of Oh: the aesthetics and rhetoric of a common vowel sound [PDF]

open access: yes, 2007
Studies in Musical Theatre is the only peer-reviewed journal dedicated to musical theatre. It was launched in 2007 and is now in its seventh volume.
Daley M., Dominic Symonds, Most A.
core   +1 more source

Large‐Area 2D Metasurface‐Based Triboelectric E‐Skin Arrays: Contact & Proximity Tactile Mapping with Broadband Acoustic Readouts

open access: yesAdvanced Materials, EarlyView.
Metasurface‐engineered NC‐TENG arrays integrate tactile pressure mapping, non‐contact gesture sensing, and acoustic signal readouts in one ultrathin module, and outperforms pristine PDMS in terms of electrical output and real‐time spatial mapping for next‐gen wearables.
Injamamul Arief   +12 more
wiley   +1 more source

Müzikal Performans Kaygısıyla Başa Çıkmada Kullanılan Bilişsel Stratejiler

open access: yesYüzüncü Yıl Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2023
Sahne performansının olduğu her alanda heyecan, gerek izleyici gerekse icracı kişi veya topluluk için performans anının olmazsa olmaz bir bileşenidir.
Sena Gürşen Otacıoğlu   +2 more
doaj   +1 more source

gruntCount (bass clarinet Edition): blurring the piece, system, instrument distinction [PDF]

open access: yes, 2014
Martin Parker’s gruntCount is a multi-version, configurable composition for improvising musician (or musicians) and computer. Performers embark on a journey through sound processing modules that are specifically customised to individual playing styles ...
Parker, Martin, Peter, Furniss,
core   +1 more source

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