Interpretive autonomy predicts self-regulated learning behaviors in lessons, practice, and performance among classical musicians [PDF]
Although self-regulated learning—planning, monitoring, and evaluating one’s performance to attain personal goals—is vital to improving classical music performance, even advanced musicians struggle to initiate self-regulation in lessons, practice, and ...
Marie Fujimoto
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Multimodal Datasets for Studying Expert Performances of Musical Scores
In many musical styles, performing a piece of music means to produce an ‘interpretation’ of a score. This interpretation involves performers manipulating musical parameters such as timing, dynamics, timbre, and pitch to communicate their artistic ...
Katelyn Emerson, Peter M. C. Harrison
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The topic of attentional focus (focus of attention, FOA) in musical learning and performance has recently received increasing interest, as the growing number of empirical studies inspired by the established FOA paradigm in sports by Wulf and colleagues ...
Jesper Hohagen, Anna Immerz
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A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN [PDF]
The relevance of the study is determined by the need to cover the significance, uniqueness and means of performance of one of the masterpieces of the Viennese Classical School — Fantasia in c minor, op.
Nataliya BYELIK-ZOLOTAROVA +4 more
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If Music is Ongoing Experience, What Might Music Theory Be? . A Suggestion from the Drastic [PDF]
The current opening of musicology to questions of performance and embodied meaning calls for a theorizing of musical experience that would not remain stuck in oppositions of subject and object, mind and body, process and product. If we take experience as
Christopher F. Hasty
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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt [PDF]
Das Lied Breit über mein Haupt dein schwarzes Haar von Richard Strauss liegt in zwei schriftlichen Fassungen vor: der als op. 19/2 publizierten Erstfassung (1888) und der jüngst edierten Zweitfassung von 1944.
Kilian Sprau
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Inclusive musical instruments benefit from incorporating wearable interfaces into digital musical instrument design, creating opportunities for bodily felt experiences and movement-based interactions.
Doga Cavdir, Ge Wang
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Musical sophistication is a psychometric construct that can be measured both in people with musical training and without training. Through backgrounds related to musical activities in their lifetime, and other indicators referring to their current events,
Felipe Porflitt, Ricardo Rosas
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Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification
Identifying similar objects is one of the most challenging tasks in computer vision image recognition. The following musical instruments will be recognized in this study: French horn, harp, recorder, bassoon, cello, clarinet, erhu, guitar saxophone ...
Dewi Christine, Chen Rung-Ching
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Music Performance As an Experimental Approach to Hyperscanning Studies [PDF]
Humans are fundamentally social and tend to create emergent organizations when interacting with each other; from dyads to families, small groups, large groups, societies, and civilizations. The study of the neuronal substrate of human social behavior is currently gaining momentum in the young field of social neuroscience.
Acquadro, Michaël +2 more
openaire +4 more sources

