Results 1 to 10 of about 20,110,969 (296)

Interpretive autonomy predicts self-regulated learning behaviors in lessons, practice, and performance among classical musicians [PDF]

open access: yesFrontiers in Psychology
Although self-regulated learning—planning, monitoring, and evaluating one’s performance to attain personal goals—is vital to improving classical music performance, even advanced musicians struggle to initiate self-regulation in lessons, practice, and ...
Marie Fujimoto
doaj   +2 more sources

Multimodal Datasets for Studying Expert Performances of Musical Scores

open access: yesTransactions of the International Society for Music Information Retrieval
In many musical styles, performing a piece of music means to produce an ‘interpretation’ of a score. This interpretation involves performers manipulating musical parameters such as timing, dynamics, timbre, and pitch to communicate their artistic ...
Katelyn Emerson, Peter M. C. Harrison
doaj   +2 more sources

Focus of attention in musical learning and music performance: a systematic review and discussion of focus instructions and outcome measures

open access: yesFrontiers in Psychology
The topic of attentional focus (focus of attention, FOA) in musical learning and performance has recently received increasing interest, as the growing number of empirical studies inspired by the established FOA paradigm in sports by Wulf and colleagues ...
Jesper Hohagen, Anna Immerz
doaj   +3 more sources

A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN [PDF]

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2023
The relevance of the study is determined by the need to cover the significance, uniqueness and means of performance of one of the masterpieces of the Viennese Classical School — Fantasia in c minor, op.
Nataliya BYELIK-ZOLOTAROVA   +4 more
doaj   +1 more source

If Music is Ongoing Experience, What Might Music Theory Be? . A Suggestion from the Drastic [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2010
The current opening of musicology to questions of performance and embodied meaning calls for a theorizing of musical experience that would not remain stuck in oppositions of subject and object, mind and body, process and product. If we take experience as
Christopher F. Hasty
doaj   +1 more source

Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2017
Das Lied Breit über mein Haupt dein schwarzes Haar von Richard Strauss liegt in zwei schriftlichen Fassungen vor: der als op. 19/2 publizierten Erstfassung (1888) und der jüngst edierten Zweitfassung von 1944.
Kilian Sprau
doaj   +1 more source

Designing felt experiences with movement-based, wearable musical instruments: From inclusive practices toward participatory design

open access: yesWearable Technologies, 2022
Inclusive musical instruments benefit from incorporating wearable interfaces into digital musical instrument design, creating opportunities for bodily felt experiences and movement-based interactions.
Doga Cavdir, Ge Wang
doaj   +1 more source

La sofisticación musical explica gran parte del rendimiento cognitivo. Un estudio transversal de músicos y no músicos

open access: yesResonancias, 2020
Musical sophistication is a psychometric construct that can be measured both in people with musical training and without training. Through backgrounds related to musical activities in their lifetime, and other indicators referring to their current events,
Felipe Porflitt, Ricardo Rosas
doaj   +1 more source

Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification

open access: yesCybernetics and Information Technologies, 2022
Identifying similar objects is one of the most challenging tasks in computer vision image recognition. The following musical instruments will be recognized in this study: French horn, harp, recorder, bassoon, cello, clarinet, erhu, guitar saxophone ...
Dewi Christine, Chen Rung-Ching
doaj   +1 more source

Music Performance As an Experimental Approach to Hyperscanning Studies [PDF]

open access: yesFrontiers in Human Neuroscience, 2016
Humans are fundamentally social and tend to create emergent organizations when interacting with each other; from dyads to families, small groups, large groups, societies, and civilizations. The study of the neuronal substrate of human social behavior is currently gaining momentum in the young field of social neuroscience.
Acquadro, Michaël   +2 more
openaire   +4 more sources

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