Interpretive autonomy predicts self-regulated learning behaviors in lessons, practice, and performance among classical musicians [PDF]
Frontiers in PsychologyAlthough self-regulated learning—planning, monitoring, and evaluating one’s performance to attain personal goals—is vital to improving classical music performance, even advanced musicians struggle to initiate self-regulation in lessons, practice, and ...
Marie Fujimoto
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A PERFORMANCE INTERPRETATION OF THE VIENNESE CLASSICS BY THE EXAMPLE OF FANTASIA FOR PIANO, CHORUS AND ORCHESTRA IN C MINOR, OP. 80 BY LUDWIG VAN BEETHOVEN [PDF]
Studia Universitatis Babeş-Bolyai. Musica, 2023 The relevance of the study is determined by the need to cover the significance, uniqueness and means of performance of one of the masterpieces of the Viennese Classical School — Fantasia in c minor, op.
Nataliya BYELIK-ZOLOTAROVA +4 more
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If Music is Ongoing Experience, What Might Music Theory Be? . A Suggestion from the Drastic [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2010 The current opening of musicology to questions of performance and embodied meaning calls for a theorizing of musical experience that would not remain stuck in oppositions of subject and object, mind and body, process and product. If we take experience as
Christopher F. Hasty
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Wearable Technologies, 2022 Inclusive musical instruments benefit from incorporating wearable interfaces into digital musical instrument design, creating opportunities for bodily felt experiences and movement-based interactions.
Doga Cavdir, Ge Wang
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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2017 Das Lied Breit über mein Haupt dein schwarzes Haar von Richard Strauss liegt in zwei schriftlichen Fassungen vor: der als op. 19/2 publizierten Erstfassung (1888) und der jüngst edierten Zweitfassung von 1944.
Kilian Sprau
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Resonancias, 2020 Musical sophistication is a psychometric construct that can be measured both in people with musical training and without training. Through backgrounds related to musical activities in their lifetime, and other indicators referring to their current events,
Felipe Porflitt, Ricardo Rosas
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Combination of Resnet and Spatial Pyramid Pooling for Musical Instrument Identification
Cybernetics and Information Technologies, 2022 Identifying similar objects is one of the most challenging tasks in computer vision image recognition. The following musical instruments will be recognized in this study: French horn, harp, recorder, bassoon, cello, clarinet, erhu, guitar saxophone ...
Dewi Christine, Chen Rung-Ching
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Performance of musical scale in traditional vocal homophony: Lithuanian examples [PDF]
Muzikologija, 2014 Acoustical measurements of pitches in a dozen songs exemplifying the Lithuanian traditional vocal homophony were carried out. Several phenomena were revealed. First, the entire scales experience gradual transposition (rise) from the beginning to
Ambrazevičius Rytis
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Musical Expertise and Executive Functions in Experienced Musicians
Brain Sciences, 2023 Extensive music practice has been suggested to enhance the development of cognitive abilities over and above musical expertise. Executive functions (EFs) have been particularly investigated, given their generalizability across different domains and their
Edoardo Passarotto +3 more
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Musical performance as storytelling: Memory, European integration, and the Baltic youth philharmonic оrchestra? [PDF]
Muzikologija, 2014 Storytelling has been theorized as a performative, narrative practice, but it has not been employed often as a trope in studies of musical performance.
Ramnarine Tina K.
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