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Studies in the Performance of Late Mediaeval Music
Notes, 19851. Fifteenth-century northern book painting and the a cappella question: an essay in iconographic method James W. McKinnon 2. The visualisation of music through pictorial imagery and notation in late mediaeval France Tilman Seebass 3. The trecento harp Howard Mayer Brown 4.
Dennis Slavin, Stanley Boorman
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The Comprehensive Application of Vmus.net for Musical Performance Studies
Proceedings of the 4th International Workshop on Digital Libraries for Musicology, 2017There are two main difficulties in applying empirical approaches such as MIR (Music Information Retrieval) methods in music research. The first is the complexity of the related software and the other is the integration between empirical findings and musicological context. To solve these problems, an easy-to-use online application Vmus.net is introduced
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Musical Performance Studies as a ‘Discipline’
1995Abstract I trot out the term ‘discipline’ of musical performance studies as if it clearly existed, but it is as well to state that this term at present stands merely for ‘subject’ or ‘topic’. ‘Discipline’ carries the implication of a received body of knowledge and an orderliness in whatever is conducted in its name, however subversively.
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Communications in Humanities Research, 2023
In 2011, Cambridge University held an international academic conference-- performance studies network international conference, and proposed to establish the discipline of performance musicology in 2014, which made it possible to solve the old contradiction between musicology and music performance.
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In 2011, Cambridge University held an international academic conference-- performance studies network international conference, and proposed to establish the discipline of performance musicology in 2014, which made it possible to solve the old contradiction between musicology and music performance.
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The state of play in musical performance studies
2023Abstract Chapter 1 surveys the ‘discipline’ of musical performance studies, noting key achievements during its development over the past three decades as well as certain pitfalls or problems that have arisen. One of the conclusions is that if research in the field is to resonate with musical practice and to achieve its full elucidatory ...
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EEG-Studies in Musical Perception and Performances
1987In the past decade, electroencephalography has turned out to become a useful tool for the understanding of human cognition. The application of statistical and analytical methods to the electrical signals produced by the brain has brought some insight into the meaning of electrical events accompanying the conceptual processing of sensory perception and ...
H. Petsche +2 more
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Interplay between Analysis and Synthesis in Studies of Music Performance and Music Experience
Music Perception, 1985This article consists of three parts. In the first part, early empirical research on music performance is reviewed—with special emphasis on the contributions by C. E. Seashore and his co-workers at Iowa University in the 1930s. The second part presents a model for interplay between analysis and synthesis in studies of music performance and its ...
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