Musical Pitch Perception and Categorization in Listeners with No Musical Training Experience: Insights from Mandarin-Speaking Non-Musicians [PDF]
Pitch is a fundamental element in music. While most previous studies on musical pitch have focused on musicians, our understanding of musical pitch perception in non-musicians is still limited.
Keke Yu, Ruiming Wang, Fen Zhang
exaly +4 more sources
Musicianship Influences Language Effect on Musical Pitch Perception [PDF]
Given its practical implications, the effect of musicianship on language learning has been vastly researched. Interestingly, growing evidence also suggests that language experience can facilitate music perception.
William Choi
doaj +2 more sources
Pitch Perception in the First Year of Life, a Comparison of Lexical Tones and Musical Pitch [PDF]
Pitch variation is pervasive in speech, regardless of the language to which infants are exposed. Lexical tone is influenced by general sensitivity to pitch.
Catherine J Stevens +2 more
exaly +4 more sources
A Neurophysiological Study of Musical Pitch Identification in Mandarin-Speaking Cochlear Implant Users [PDF]
Music perception in cochlear implant (CI) users is far from satisfactory, not only because of the technological limitations of current CI devices but also due to the neurophysiological alterations that generally accompany deafness.
Jieqing Cai +4 more
doaj +2 more sources
Pitch as a Shared Code for Music and Speech: Behavioral and Neural Evidence From Stroke Patients [PDF]
Introduction Accurate pitch processing, including the ability to discriminate small differences in pitch, is essential for interpreting the melodic structure of both music and speech. However, the extent to which pitch discrimination is a shared auditory‐
Aleksi J. Sihvonen +2 more
doaj +3 more sources
The comparative effects of Cantonese and Mandarin tone language backgrounds on musical pitch perception [PDF]
Existing studies on language-to-music language transfer suggest that tone language background enhances musical pitch perception. However, tone language background was underrepresented as a binary yes-or-no variable in these studies.
William Choi, Lok Yan Chan
doaj +2 more sources
Musical pitch identification by absolute pitch possessors [PDF]
Musical pitch identification was investigated in two experiments in which absolute pitch (AP) possessors and nonpossessors categorized tones presented in isolation into predetermined pitch classes. Stimuli consisted of 60 different tones per octave (at intervals of 20 cents). The experiments were designed to minimize the possibility that subjects could
Ken'Ichi Miyazaki, Miyazaki Ken'Ichi
exaly +3 more sources
Binaural localization of musical pitch using interaural time differences in congenital amusia. [PDF]
Naturally occurring sounds are routinely periodic. The ability to phase-lock to such periodicity facilitates pitch perception and interaural time differences (ITDs) determination in binaural localization. We examined whether deficient pitch processing in
I-Hui Hsieh, Ssc-Chen Chen, Jia-Wei Liu
doaj +2 more sources
Perception of musical pitch in developmental prosopagnosia. [PDF]
Studies of developmental prosopagnosia have often shown that developmental prosopagnosia differentially affects human face processing over non-face object processing. However, little consideration has been given to whether this condition is associated with perceptual or sensorimotor impairments in other modalities.
Corrow SL +6 more
europepmc +3 more sources
The aim of this paper is to discuss some of the physical and psycho-physiological mechanisms that contribute to transformation of the unidimensional sensation pitch into the important medium where most significant elements of music ...
Andrzej RAKOWSKI
doaj +1 more source

