Results 201 to 210 of about 8,017 (254)
'Play the fragrance': Designing musical soundscapes to match fragrances based on olfactory-auditory crossmodal correspondences. [PDF]
IperceptionSpence C +4 more
europepmc +1 more source
Cognitive control in music: adaptive strategies for relative pitch across the absolute-pitch proficiency continuum. [PDF]
Front PsycholShibayama K, Shimada H, Itoh K.
europepmc +1 more source
Semi-Automatic Artificial Lips Device for Brass Instruments with Real-Time Pitch Feedback Control. [PDF]
Sensors (Basel)Sonoda H +3 more
europepmc +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
Journal of the Acoustical Society of America, 1954
The subjective relation “octave of” is demonstrated to be a valid interval for determining scales of musical pitch for pure tones presented successively. Octave judgments of trained musicians have a standard deviation averaging about 0.6 percent. Inter-observer variability is 2 to 5 times as great, increasing with frequency.
Ward W D
exaly +2 more sources
The subjective relation “octave of” is demonstrated to be a valid interval for determining scales of musical pitch for pure tones presented successively. Octave judgments of trained musicians have a standard deviation averaging about 0.6 percent. Inter-observer variability is 2 to 5 times as great, increasing with frequency.
Ward W D
exaly +2 more sources
The Journal of the Acoustical Society of America, 1973
In certain types of musical performances systematic deviations from the frequencies of the equally tempered scale have been observed. In such scales the octave interval exceeds a 2:1 frequency ratio slightly. Experiments were carried out in which musically trained subjects matched the upper octave of a reference tone with a subsequent variable tone ...
J E, Sundberg, J, Lindqvist
openaire +2 more sources
In certain types of musical performances systematic deviations from the frequencies of the equally tempered scale have been observed. In such scales the octave interval exceeds a 2:1 frequency ratio slightly. Experiments were carried out in which musically trained subjects matched the upper octave of a reference tone with a subsequent variable tone ...
J E, Sundberg, J, Lindqvist
openaire +2 more sources
Visualization of musical pitch
Proceedings Computer Graphics International 2003, 2004We have created software that shows a musician accurately, in real time, the pitch of the notes he or she is playing or singing. This is useful as a teaching aid for beginners and also for studying refinements of sound production such as vibrato.
Philip McLeod, Geoff Wyvill
openaire +1 more source