Results 61 to 70 of about 8,017 (254)
Rapid Communications in Mass Spectrometry, EarlyView.ABSTRACT Rationale Ions trapped within a Penning cell (ICR) travel periodic orbits whose frequencies are dependent on their mass‐to‐charge ratio and the value of the magnetic field passing through the trap. Fourier transformation (FT‐ICR) decomposes the signal induced in the detection circuit by the rotation of the ions in the cell after the ...
Patrick Arpino, Michel Heninger
wiley +1 more source
Frontiers in Psychology, 2014 Cross-modal mappings of auditory stimuli reveal valuable insights into how humans make sense of sound and music. Whereas researchers have investigated cross-modal mappings of sound features varied in isolation within paradigms such as speeded ...
Mats B. Küssner +3 more
doaj +1 more source
Micro‐transitions and work identity: The case of academic entrepreneurs
Strategic Entrepreneurship Journal, EarlyView.Abstract Research Summary This paper examines how academic entrepreneurs—scientists who found research‐based startups while remaining in academia—construct and sustain their professional identities amid frequent transitions between academic and entrepreneurial roles.
Marouane Bousfiha, Henrik Berglund
wiley +1 more source
Integrating multimodal data and machine learning for entrepreneurship research
Strategic Entrepreneurship Journal, EarlyView.Abstract Research Summary Extant research in neuroscience suggests that human perception is multimodal in nature—we model the world integrating diverse data sources such as sound, images, taste, and smell. Working in a dynamic environment, entrepreneurs are expected to draw on multimodal inputs in their decision making.
Yash Raj Shrestha, Vivianna Fang He
wiley +1 more source
Musical aptitude moderates ease and vividness but not frequency of the speech-to-song illusion
Scientific ReportsRepetitions of a spoken phrase can induce a perceptual illusion in which speech transforms into song, known as the speech-to-song illusion. Speech acoustics that share certain pitch and timing properties with songs seem to be involved in facilitating the
Tamara V. Rathcke, Eline A. Smit
doaj +1 more source
Music perception, pitch, and the auditory system [PDF]
Current Opinion in Neurobiology, 2008 The perception of music depends on many culture-specific factors, but is also constrained by properties of the auditory system. This has been best characterized for those aspects of music that involve pitch. Pitch sequences are heard in terms of relative as well as absolute pitch.
Josh H, McDermott, Andrew J, Oxenham
openaire +2 more sources
Framing novelty in crowdfunding: Which words win support, where, and at what stakes
Strategic Entrepreneurship Journal, EarlyView.Abstract Research Summary We examine how promotional language (“hype”) in reward‐based crowdfunding is associated with campaign success, and whether those associations vary across sector contexts and with campaign execution burden. Using dictionary‐based text measures from 635 U.S. Kickstarter campaigns across five sectors, we distinguish three novelty‐
Agnieszka Kwapisz
wiley +1 more source
The effect of task and pitch structure on pitch-time interactions in music [PDF]
Memory & Cognition, 2009 Musical pitch-time relations were explored by investigating the effect of temporal variation on pitch perception. In Experiment 1, trained musicians heard a standard tone followed by a tonal context and then a comparison tone. They then performed one of two tasks.
Prince, J.B. +2 more
openaire +2 more sources
Strategic Entrepreneurship Journal, EarlyView.Abstract Research Summary Using 14,108 Kickstarter crowdfunding campaigns, we examine three strategies to gather support from first‐time versus repeat backers: narrative distinctiveness aligning with backers' expectations of novelty, endorsement from Kickstarter staff, and campaign leadership's reciprocity of funding other campaigns.
Stephanie Hepp +2 more
wiley +1 more source
Small, EarlyView.Monolithic cholesteric liquid crystal elastomers simultaneously generate color and sound under electrically programmed stimuli. Low‐frequency electric fields modulate the helical pitch to produce tunable structural colors, while high‐frequency excitation induces membrane vibration for acoustic emission.
Ji Yoon Park +6 more
wiley +1 more source