Results 21 to 30 of about 163,623 (289)

Musical preferences and technologies: Contemporary material and symbolic distinctions criticised [PDF]

open access: yes, 2015
Today how individuals interact with various cultural items is not perfectly consistent with theoretical frameworks of influential scholars on cultural consumption, such as Bourdieu (1984), Gans (1999), and Peterson and Simkus (1992).
Adrian Leguina   +16 more
core   +3 more sources

Broadcasting personalities: the relationship between occupation and music preferences in the BBC Radio programme Desert Island Discs [PDF]

open access: yes, 2016
This research examines the music choices of interviewees on the BBC Radio programme Desert Island Discs over a 72-year period. In the programme, individuals with a public profile related to high achievement in their chosen occupation identify several ...
Knox, Don, MacDonald, Raymond
core   +2 more sources

Exploring music listening patterns: an online survey [PDF]

open access: yesInternational Journal of Electronics and Telecommunications
An online survey was carried out to explore how respondents listen to music recordings. It was anticipated that the listener’s preferences would be influenced by various factors, such as age, music genre, the contexts in which they listen, and their ...
Barbara Szyca   +3 more
doaj   +1 more source

Run to the Beat: Sport and music for the masses [PDF]

open access: yes, 2013
Run to the Beat is a half marathon event that is accompanied by live and pre-recorded music. The author was involved with the event as the lead consultant in the period 2007-2010. This case study examines the genesis of the event, the science on which it
Karageorghis, CI
core   +1 more source

Repetition and Aesthetic Judgment in Post-tonal Music for Large Ensemble and Orchestra

open access: yesFrontiers in Psychology, 2021
Post-tonal music often poses perceptual and cognitive challenges for listeners, potentially related to the use of relatively uncommon and unfamiliar musical material and compositional processes.
Moe Touizrar   +2 more
doaj   +1 more source

Are risk preferences dynamic? : Within-subject variation in risk-taking as a function of background music [PDF]

open access: yes, 2012
This paper investigates whether preference interactions can explain why risk preferences change over time and across contexts. We conduct an experiment in which subjects accept or reject gambles involving real money gains and losses.
Halko, Marja Liisa, Kaustia, Markku
core   +1 more source

Can Music Increase Empathy? Interpreting Musical Experience Through the Empathizing–Systemizing (E-S) Theory: Implications for Autism

open access: yesEmpirical Musicology Review, 2015
Recent research has provided evidence that musical interaction can promote empathy. Yet little is known about the underlying intrapersonal and social psychological processes that are involved when this occurs.
David M. Greenberg   +2 more
doaj   +1 more source

There's More to Groove than Bass in Electronic Dance Music: Why Some People Won't Dance to Techno. [PDF]

open access: yesPLoS ONE, 2016
The purpose of this study was to explore the relationship between audio descriptors for groove-based electronic dance music (EDM) and raters' perceived cognitive, affective, and psychomotor responses.
Brian C Wesolowski, Alex Hofmann
doaj   +1 more source

Differential Effects of Musical Expression of Emotions and Psychological Distress on Subjective Appraisals and Emotional Responses to Music

open access: yesBehavioral Sciences, 2023
This study aims to investigate how musical expressions of emotion and individuals’ psychological distress impact subjective ratings of emotional response and subjective appraisals, including familiarity, complexity, and preference.
Aimee Jeehae Kim
doaj   +1 more source

Investigating musical performance: Commonality and diversity amongst classical and non-classical musicians [PDF]

open access: yes, 2008
The research project 'Investigating Musical Performance: Comparative Studies in Advanced Musical Learning' was devised to investigate how classical, popular, jazz and Scottish traditional musicians deepen and develop their learning about performance in ...
Creech, Andrea   +9 more
core   +3 more sources

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