Results 91 to 100 of about 179,617 (297)

Ontological polyglossia: the art of communicating in opacity* Polyglossie ontologique : l'art de communiquer dans l'opacité

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
What do communicating with a baby, with an animal, and with an ancestor have in common? In all three cases, people engage in opaque communication that is far from the standard psycholinguistic model of transparent interaction based on shared intentionality.
Charles Stépanoff
wiley   +1 more source

Rhythm in Korean verse, sico [PDF]

open access: yes, 2015
Although rhythm in language and speech is elusive, the prosodic pattern in verse and the way language is aligned to music can reveal cross-linguistic differences in rhythm.
Jeon, Hae-Sung
core  

Dwelling in a post‐fallout landscape: re‐shaping and sustaining life in a former evacuation zone in Fukushima Habiter après la catastrophe : redonner forme au monde et entretenir la vie dans une ancienne zone évacuée à Fukushima

open access: yesJournal of the Royal Anthropological Institute, EarlyView.
This article explores the activities of daily life in a village neighbouring the TEPCO nuclear power plant in Fukushima. It argues that one of the potentials of taking a dwelling perspective – a phenomenological approach to living within the ecological and social environments – emerges most compellingly within a polluted landscape.
Tomoko Sakai
wiley   +1 more source

MITRAL STENOSIS IN THE LIFE AND MUSIC OF GUSTAV MALER OR THE COMPOSERʹS CONTRIBUTION ТО THE DEVELOPMENT OF RHEUMATOLOGY

open access: yesŽurnal Grodnenskogo Gosudarstvennogo Medicinskogo Universiteta, 2019
The article is devoted to the verification of the hypothesis of composer L. Bernstein and doctor Ch. Amentа about the musification by composer Gustav Mahler the auscultatory picture of his heart valve defect in the Symphony No. 9. Рathographic analysis
Berezutsky V. I., Berezutskaya M. S.
doaj   +1 more source

Methods and ideas for the creation of 'transparent' music in the classroom [PDF]

open access: yes, 2011
This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Methods and ideas for the creation of ‘transparent’ music in the classroom The aims of this port-folio are as follows; - To provide a coherent sequence of
Lawrence, Tom
core  

Shameful or shameless? Anxieties about mothers and women's autonomy on the Central African Copperbelt, 1956–1964

open access: yesGender &History, EarlyView.
Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
wiley   +1 more source

Music, Rhythm, and Muscle [PDF]

open access: yesNature, 1894
IN your issue of January 18, you refer (on p, 271) to an article by Dr. Wilks in the Medical Magazine (which I have not seen), in which the learned author points out that music is not to be regarded in its origin as a purely spiritual faculty, but that it admits of a physiological explanation. This discussion is in itself a most interesting one.
openaire   +1 more source

The Hour that Never Comes and the Time that Remains

open access: yesJournal of Analytical Psychology, EarlyView.
Abstract This essay proposes a symbolic and clinical investigation of psychic temporality through two archetypal experiences of time: the hour that never comes and the time that remains. Drawing on analytical psychology, trauma theory and aesthetic philosophy, text explores how certain forms of suffering resist chronological resolution and persist as ...
Daniel Françoli Yago
wiley   +1 more source

James Joyce’s ‘Linguistic Musicality’

open access: yesIl Tolomeo, 2018
The central aim of this paper is to show the similarities of some stylistic features of A Portrait of the Artist as a Young Man with musical code. A second purpose is to verify how these musical features are echoed in “Sirens”.
Autieri, Arianna
doaj   +1 more source

Rhythmic Effects of Syntax Processing in Music and Language

open access: yesFrontiers in Psychology, 2015
Music and language are human cognitive and neural functions that share many structural similarities. Past theories posit a sharing of neural resources between syntax processing in music and language (Patel, 2003), and a dynamic attention network that ...
Harim eJung   +3 more
doaj   +1 more source

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