Results 251 to 260 of about 179,617 (297)
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2020
Abstract This chapter undertakes an exploration of rhythmic practices in twentieth and, especially, late twentieth-century European-International modernist music, focusing on attempts to reduce or eliminate durational projection and taking into account the role of notation in crafting experiments with a newly emancipated rhythm.
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Abstract This chapter undertakes an exploration of rhythmic practices in twentieth and, especially, late twentieth-century European-International modernist music, focusing on attempts to reduce or eliminate durational projection and taking into account the role of notation in crafting experiments with a newly emancipated rhythm.
openaire +1 more source
The Annual of the British School at Athens, 1916
A Uniform method of transcription, immediately applicable to all Byzantine melodies, is the great desideratum of musical theorists in order that this music may become available for general study and performance. At present there is a tolerable agreement about the interval-signs, which indicated the progression of the melody, both in the Round system ...
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A Uniform method of transcription, immediately applicable to all Byzantine melodies, is the great desideratum of musical theorists in order that this music may become available for general study and performance. At present there is a tolerable agreement about the interval-signs, which indicated the progression of the melody, both in the Round system ...
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Practical Professional Child Care, 2007
Sarah Cruickshank explains how music can be used to develop motor and language skills.
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Sarah Cruickshank explains how music can be used to develop motor and language skills.
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2017
Indian classical musica has two foundational elements, 'Raag' (melodic structure using musical notes) and the 'Taal' (rhythmic cycle). The Raag provides the singer a palette of musical notes to build a variety of melodies whereas the Taal provides a creative framework or a meter for rhythmic improvisation using time.
CESEM/UÉvora, CESEM/UÉvora +1 more
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Indian classical musica has two foundational elements, 'Raag' (melodic structure using musical notes) and the 'Taal' (rhythmic cycle). The Raag provides the singer a palette of musical notes to build a variety of melodies whereas the Taal provides a creative framework or a meter for rhythmic improvisation using time.
CESEM/UÉvora, CESEM/UÉvora +1 more
openaire +1 more source
Rhythm and Music in Animal Signals
2019-
Ravignani A., Chiandetti C., Kotz S. A.
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Molecular regulations of circadian rhythm and implications for physiology and diseases
Signal Transduction and Targeted Therapy, 2022Francesca Fagiani +2 more
exaly