Results 21 to 30 of about 179,617 (297)

The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912–13 [PDF]

open access: yes, 2020
Wittgenstein’s experiments on rhythm, conducted in Charles Myers’s laboratory in Cambridge during the years 1912–13, are his earliest recorded engagement in thinking about music, not just appreciating it, and philosophizing by means of musical thinking ...
Guter, Eran
core   +2 more sources

Relationship between stabilised musical aptitude and harmonic and rhythm improvisation readiness in adults in transversal research

open access: yesEdukacja Muzyczna, 2019
This article is to be considered a research report on the relation between stabilised musical aptitude and harmonic and rhythm improvisation readiness in students of Pedagogy in transversal research.
Maciej KOŁODZIEJSKI
doaj   +1 more source

Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style [PDF]

open access: yes, 2008
In this essay, I examine how aspects of rhythm and metre play a fundamental role in shaping and defining Led Zeppelin’s musical style. At the same time, I will show how Led Zeppelin was able to modify, manipulate, and develop pre-existing musical models ...
John Brackett
core   +1 more source

Rhythmic complexity and predictive coding: A novel approach to modeling rhythm and meter perception in music

open access: yesFrontiers in Psychology, 2014
Musical rhythm, consisting of apparently abstract intervals of accented temporal events, has a remarkable capacity to move our minds and bodies. How does the cognitive system enable our experiences of rhythmically complex music?
Peter eVuust, Peter eVuust, Maria eWitek
doaj   +1 more source

Enhanced musical rhythmic perception in Turkish early and late learners of German

open access: yesFrontiers in Psychology, 2013
As language rhythm relies partly on general acoustic properties, such as intensity and duration, mastering two languages with distinct rhythmic properties (i.e., stress position) may enhance musical rhythm perception.
Maria Paula eRoncaglia-Denissen   +6 more
doaj   +1 more source

What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics. [PDF]

open access: yesPLoS ONE, 2016
Phrasing facilitates the organization of auditory information and is central to speech and music. Not surprisingly, aspects of changing intensity, rhythm, and pitch are key determinants of musical phrases and their boundaries in instrumental note-based ...
Kirk N Olsen, Roger T Dean, Yvonne Leung
doaj   +1 more source

Musical Aptitude and foreign language receptive pronunciation

open access: yesPhonica, 2021
There is a growing body of literature that recognises the relationship between musical aptitude and language proficiency. Language is usually segmented into its subcategories when addressed in studies, while music is not.
Andrés Pujazón Rodríguez
doaj   +1 more source

Modeling complexity in musical rhythm

open access: yesComplexity, 2009
AbstractThis article constructs a tree structure for the music rhythm using the L‐system. It models the structure as an automata and derives its complexity. It also solves the complexity for the L‐system. This complexity can resolve the similarity between trees. This complexity serves as a measure of psychological complexity for rhythms.
Liou, Cheng-Yuan   +2 more
openaire   +2 more sources

Musical Phenomenon in the Traditional Art of Alee Tunjang in Aceh

open access: yesGrenek: Jurnal Seni Musik, 2023
Alee Tunjang is an art form originating from North Aceh Regency that consists of melodic and rhythmic music elements. The form of this art instrument is in the form of vocals that chant verses, and mortar beaten by alu/alee in the form of percussion ...
Surya Rahman   +2 more
doaj   +1 more source

Global timing: a conceptual framework to investigate the neural basis of rhythm perception in humans and non-human species [PDF]

open access: yes, 2014
Timing cues are an essential feature of music. To understand how the brain gives rise to our experience of music we must appreciate how acoustical temporal patterns are integrated over the range of several seconds in order to extract global timing.
Bendor, D, Geiser, E, Walker, KM
core   +2 more sources

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