Results 271 to 280 of about 70,750 (313)

Non-musicians’ and musicians’ perception of bitonality

Psychology of Music, 2010
Bitonal music is characterized by a certain, dissonant effect that had been believed to be clearly audible by everyone. However, Wolpert found that non-musicians were unable to identify bitonal versions of originally monotonal musical passages as such in a free response task.
Mayumi Hamamoto, Mauro Botelho, Margaret P. Munger   +2 more
openaire   +1 more source

Musicians as entrepreneurs or entrepreneurs as musicians?

Creativity and Innovation Management, 2018
This study investigates how Swedish musicians in the non‐profit sector accept the “entrepreneur” label for themselves. The background section describes how identity work among “serious” musicians has, historically, made them shun any facet related to money‐making. The qualitative study shows that there is some remaining reluctance.
openaire   +1 more source

Cognitive Abilities of Musicians

Perceptual and Motor Skills, 2011
Playing music may involve different cognitive domains, but previous studies of musicians and patients with brain lesions have reported inconsistent associations between music performances and other cognitive functions. Fine musical performance may be associated with high executive and control functions.
Giovagnoli A. R., RAGLIO, Alfredo
openaire   +2 more sources

The Musician's Journey

2013
Abstract The Musician’s Journey escorts musicians, performing artists, music teachers, and advanced music students along the road toward a successful career, offering a vast array of resources to guide them from envisioning the process to achieving the practical details.
openaire   +1 more source

Perception of Segment Boundaries in Musicians and Non-Musicians

2014
peerReviewed
Hartmann, Martin, Toiviainen, Petri, Lartillot, Olivier   +2 more
openaire   +2 more sources

The Complete Musician: The Formation of the Professional Musician

2018
This chapter uses a model developed in the Helsinki University of the Arts to analyze the competencies required for artists working outside the conventional performance using material of autoethnographic origin, participant and nonparticipant observation, and interviews from three musician/teacher projects. These include contextual, pedagogic, artistic/
openaire   +1 more source

The Digital Musician

2010
Andrew Hugill, Andrew Hugill
openaire   +3 more sources

Dystonia in Musicians

Seminars in Neurology, 1989
J, Jankovic, H, Shale
openaire   +2 more sources

Timing in the Brain: Musicians and Non-Musicians

We found significant effects of within-subject tapping while the metronome’s presence with mean IRI (F (1,22) = 42.1, p < .001) and its variability (F (1,22) = 42.102, p < .001) with less variability between musician and non-musician.  Our analyses revealed significant effects of metronome interval IRI (F (1,22) = 42.1, p < .001) and its variability (F
Craig McAllister, Feda Alshar
openaire   +1 more source

Musicians and Dentures

The Journal of the American Dental Association, 1963
openaire   +2 more sources