Results 91 to 100 of about 189 (111)
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Prince Myshkin’s Brides in F.M. Dostoevsky’s Novel The Idiot
Dostoevsky and World Culture Philological Journal, 2019 The article examines the figures of the two brides in F.M. Dostoevsky’sAbstract: The article examines the figures of the two brides in F.M. Dostoevsky’snovel The Idiot. It considers the word “bride” and its meaning in the novel and traces the paths of the female protagonists – Aglaya Ivanovna and Nastasya Filippovna –the paths of the female ...
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Problemy Istoričeskoj Poètiki, 2021 The article analyzes the searches conducted by F. M. Dostoevsky and V. F. Odoevsky for a “positively excellent” hero. It compares the images of Prince Myshkin from The Idiot and the hero of the dramatic excerpt Segeliel, or Don Quixote of the XIX century.
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The image of prince Myshkin in Russian cinema
Journal of Flm Arts and Film Studies, 2019The research is dedicated to the screen adaptations of Fyodor Dostoevskys The Idiot made in Russia in different cultural and historical periods. Films produced from 1910 to 2003 are analyzed in chronological order, with the aim of showing the transformation of the image of Prince Myshkin (Prince Christ), one of the key images of Russian culture1 within
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Prince Myshkin Rewritten by Tolstoy, Chekhov and Pasternak
Problemy Istoričeskoj PoètikiThe article is devoted to the reinterpretations of the main character of Dostoevsky’s novel “The Idiot” in the novels of Tolstoy and Pasternak (“Resurrection” and “Doctor Zhivago”) and in Chekhov’s short novel “My Life.” At the same time, Tolstoy’s novel is considered as a kind of hybrid hypertext of Dostoevsky’s works (“The Idiot” and “Notes from the ...
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Don Quixote and Prince Myshkin in Search of Reality
Russian Studies in Literature, 2011A comparison of Don Quixote and Prince Myshkin concludes that both characters undercut the chivalric ideal through their confusion of dreams with reality and their inability to provide assistance to others even when they try. Other shared themes include madness, death and rebirth, and the failure to distinguish virtue from vice.
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