Results 161 to 170 of about 297,154 (282)

A Reserve of Light: Photography, Ethnography, and Lucid Memory in Contemporary Chile

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 31, Issue 2, June 2026.
ABSTRACT This article takes shape as a shared inquiry between an ethnographer and a photographer, in continuity with the photographic archive of Luis Poirot. Through sustained encounters with his images and archival practices, the text does not position itself outside the archive that motivates it, but unfolds from within it.
Cristóbal Bonelli, Luis Poirot
wiley   +1 more source

Narrating Entanglement Without Dehumanisation in Contemporary Eco‐Fiction

open access: yesFuture Humanities, Volume 4, Issue 1, May 2026.
ABSTRACT This essay presents a comparative analysis of two contemporary works of eco‐fiction, Richard Powers's The Overstory (2018) and Eleanor Catton's Birnam Wood (2023). Both novels use multiperspective narration in the service of entanglement narratives, forms of storytelling that emphasise the interconnection of human and nonhuman life.
Diana Rose Newby
wiley   +1 more source

Critical confessions now. [PDF]

open access: yesPostmedieval, 2020
Arvas A, McCannon A, Trujillo K.
europepmc   +1 more source

Narrative Horizons: Deliberate Derangement in Oceanic Climate Fiction

open access: yesFuture Humanities, Volume 4, Issue 1, May 2026.
ABSTRACT Although we live in the Anthropocene—the geological age of humankind, wherein humans have measurably impacted the biosphere—we struggle to narrate the Anthropocene. In particular, we struggle to give narrative shape to its foremost feature: anthropogenic climate change.
Mark Celeste
wiley   +1 more source

Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni

open access: yesFuture Humanities, Volume 4, Issue 1, May 2026.
ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
wiley   +1 more source

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