Results 161 to 170 of about 297,154 (282)
Atheists, Gurus and Fanatics: Rabindranath Tagore's Chaturanga (1916) [PDF]
Radice, William
core +1 more source
A Reserve of Light: Photography, Ethnography, and Lucid Memory in Contemporary Chile
ABSTRACT This article takes shape as a shared inquiry between an ethnographer and a photographer, in continuity with the photographic archive of Luis Poirot. Through sustained encounters with his images and archival practices, the text does not position itself outside the archive that motivates it, but unfolds from within it.
Cristóbal Bonelli, Luis Poirot
wiley +1 more source
The ego in psychedelic drug action - ego defenses, ego boundaries, and the therapeutic role of regression. [PDF]
Buchborn T +3 more
europepmc +1 more source
Narrating Entanglement Without Dehumanisation in Contemporary Eco‐Fiction
ABSTRACT This essay presents a comparative analysis of two contemporary works of eco‐fiction, Richard Powers's The Overstory (2018) and Eleanor Catton's Birnam Wood (2023). Both novels use multiperspective narration in the service of entanglement narratives, forms of storytelling that emphasise the interconnection of human and nonhuman life.
Diana Rose Newby
wiley +1 more source
Critical confessions now. [PDF]
Arvas A, McCannon A, Trujillo K.
europepmc +1 more source
Delusions of Possession and Religious Coping in Schizophrenia: A Qualitative Study of Four Cases. [PDF]
Pietkiewicz IJ +2 more
europepmc +1 more source
Narrative Horizons: Deliberate Derangement in Oceanic Climate Fiction
ABSTRACT Although we live in the Anthropocene—the geological age of humankind, wherein humans have measurably impacted the biosphere—we struggle to narrate the Anthropocene. In particular, we struggle to give narrative shape to its foremost feature: anthropogenic climate change.
Mark Celeste
wiley +1 more source
Religious Zeal, Affective Fragility, and the Tragedy of Human Existence. [PDF]
Tietjen RR.
europepmc +1 more source
Subsistence Through Disappearance: Theology of the Unseen in the Films of Michelangelo Antonioni
ABSTRACT The present study contends that the theology of Michelangelo Antonioni's 1960s cinema is structured by a reductio ad absurdum logic, whereby the presence of certain qualities is proven by the portrayal of their absence. It is argued that Antonioni's intention to show what is by specifying what is not may have been rooted in a modernist ...
Vuk Uskoković
wiley +1 more source

