Results 151 to 160 of about 90,532 (301)

Occasion and audience as poetic constructs in early modern occasional poetry

open access: yesOrbis Litterarum, EarlyView.
Abstract Occasional poetry, composed for specific events such as weddings or funerals, was a dominant form of poetry in early modern Europe. Despite its historical prominence, the role of the occasion as a literary and rhetorical construct in occasional poetry has been very little studied.
Eeva‐Liisa Bastman
wiley   +1 more source

Under Chiron's Care. [PDF]

open access: yesHCA Healthc J Med
Trivedi D.
europepmc   +1 more source

A New Concept of “Kim Jong Un Partizan” Discourse and Authoritarian Durability in North Korea

open access: yesPacific Focus, EarlyView.
ABSTRACT How does the North Korean regime secure elite loyalty without institutional transparency or material redistribution? While existing studies have examined the use of Partizan narratives under Kim Il Sung and Kim Jong Il, this paper argues that Kim Jong Un introduces a significant discursive shift: the invention of “Kim Jong Un Partizans.” This ...
Sohee Hwang
wiley   +1 more source

Re‐Imagining Regulatory Governance

open access: yesRegulation &Governance, EarlyView.
ABSTRACT This paper invites the readers to rethink regulatory governance by examining how trust‐based and rule‐based governance interact. To do this, it uses analytical narratives of three fictional polities: “Trustland”, “Regland”, and “Concordia”. Each polity represents a stylized model of governance: Trustland is anchored in trust‐based governance ...
David Levi‐Faur
wiley   +1 more source

Generated cultural heritage question-answer dataset: Durga in multi-dimensional perspectives. [PDF]

open access: yesData Brief
Suryanto TLM   +4 more
europepmc   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

‘Why Did You Go to Buda?’: The Humanist Sodality and Mantuan’s Rustic Idyll in Bohuslaus of Hassenstein’s Ecloga sive Idyllion Budae (1503)☆

open access: yesRenaissance Studies, EarlyView.
Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
wiley   +1 more source

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