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Nabokov Studies, 2000
This essay explores the existence of an exclusive and complex literary relationship between Andrei Bitov and Vladimir Nabokov, whom Bitov considers to be his closest spiritual antecedent. This relationship originated at the very start of Bitov's career, and since then has found numerous reflections in Bitov's densely intertextual fictional and ...
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This essay explores the existence of an exclusive and complex literary relationship between Andrei Bitov and Vladimir Nabokov, whom Bitov considers to be his closest spiritual antecedent. This relationship originated at the very start of Bitov's career, and since then has found numerous reflections in Bitov's densely intertextual fictional and ...
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2016
This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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2022
Recensione a Masen'ka, primo romanzo scritto da Vladimir Nabokov, e ambientato nella Berlino dell'emigrazione russa. Il romanzo è pubblicato presso Adelphi in una nuova traduzione.
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Recensione a Masen'ka, primo romanzo scritto da Vladimir Nabokov, e ambientato nella Berlino dell'emigrazione russa. Il romanzo è pubblicato presso Adelphi in una nuova traduzione.
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2005
Self-archived author copy of a scholarly work originally published in The Cambridge Companion to Nabokov (2005), made available through Wesleyan University's digital collections.
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Self-archived author copy of a scholarly work originally published in The Cambridge Companion to Nabokov (2005), made available through Wesleyan University's digital collections.
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Russian Literature, 2013
Abstract Nabokovʼs admission in a 1971 interview that at some point in 1918, before leaving Russia, he translated certain lieder by Heinrich Heine (1797–1856) has been cited in a number of contexts. Almost invariably, however, this is done with the all-too-predictable aim of casting into doubt Nabokovʼs self-professed lack of knowledge of German on ...
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Abstract Nabokovʼs admission in a 1971 interview that at some point in 1918, before leaving Russia, he translated certain lieder by Heinrich Heine (1797–1856) has been cited in a number of contexts. Almost invariably, however, this is done with the all-too-predictable aim of casting into doubt Nabokovʼs self-professed lack of knowledge of German on ...
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Nabokov's Pushkin and Nabokov's Nabokov
Wisconsin Studies in Contemporary Literature, 1967openaire +1 more source
2005
“Funny thing,” said Darwin one night, as he and Martin came out of a small Cambridge cinema, “it’s unquestionably poor, vulgar, and rather implausible, and yet there is something exciting about all that flying foam, the femme fatale on the yacht, the ruined and ragged he-man swallowing his tears.” Vladimir Nabokov, Glory , 83 (ch.
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“Funny thing,” said Darwin one night, as he and Martin came out of a small Cambridge cinema, “it’s unquestionably poor, vulgar, and rather implausible, and yet there is something exciting about all that flying foam, the femme fatale on the yacht, the ruined and ragged he-man swallowing his tears.” Vladimir Nabokov, Glory , 83 (ch.
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