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Iron Gates and Ha-has: visible and invisible barriers in Jane Austen's Mansfield Park [PDF]
, 2010 McMillan, D.
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2016
This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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This chapter argues that Nabokov’s works invoke not simply an otherworldly but a religious perspective. Schuman points out that Nabokov explicitly compares himself, as an artist who creates worlds, to God. More specifically, Schuman explores the overtly Christian imagery and content of two early stories, “The Word” and “Christmas.” The former revolves ...
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Nabokov Studies, 2000
This essay explores the existence of an exclusive and complex literary relationship between Andrei Bitov and Vladimir Nabokov, whom Bitov considers to be his closest spiritual antecedent. This relationship originated at the very start of Bitov's career, and since then has found numerous reflections in Bitov's densely intertextual fictional and ...
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This essay explores the existence of an exclusive and complex literary relationship between Andrei Bitov and Vladimir Nabokov, whom Bitov considers to be his closest spiritual antecedent. This relationship originated at the very start of Bitov's career, and since then has found numerous reflections in Bitov's densely intertextual fictional and ...
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2022
Recensione a Masen'ka, primo romanzo scritto da Vladimir Nabokov, e ambientato nella Berlino dell'emigrazione russa. Il romanzo è pubblicato presso Adelphi in una nuova traduzione.
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Recensione a Masen'ka, primo romanzo scritto da Vladimir Nabokov, e ambientato nella Berlino dell'emigrazione russa. Il romanzo è pubblicato presso Adelphi in una nuova traduzione.
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Revue de littérature comparée, 2012
Dans cet article, Elizabeth Klosty Beaujour démontre que Nabokov ne devrait être défini ni comme un écrivain russe, ni comme un écrivain américain, mais plutôt comme un écrivain dont l’identité artistique fondamentale était polyglotte par nature. Sa propre réalisation de cette identité consista en une acquisition progressive de son écriture, qui ne fut
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Dans cet article, Elizabeth Klosty Beaujour démontre que Nabokov ne devrait être défini ni comme un écrivain russe, ni comme un écrivain américain, mais plutôt comme un écrivain dont l’identité artistique fondamentale était polyglotte par nature. Sa propre réalisation de cette identité consista en une acquisition progressive de son écriture, qui ne fut
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The Bridge and Narrativization of Vision: Ambrose Bierce and Vladimir Nabokov
Arts, 2022Andrey Astvatsaturov
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