Results 1 to 10 of about 242 (161)

Napoléon « porte trois fois le turban vert » : tendances démocratique et féministe dans la culture des médias urbains à l’aube de la République de Chine

open access: yesBabel: Littératures Plurielles, 2023
Since the late 19th century, the legend of Napoleon has spread in China, carrying with it the epic of the French Revolution and images of a romantic Paris, and has always inspired patriotic passion and political imagination among Chinese audience. In the
Chen Jianhua
doaj   +2 more sources

The Book by J.B.A. Sharras about the Waterloo Campaign in F.M. Dostoevsky’s Novel “The Idiot” [PDF]

open access: yesЛитературный факт, 2023
The article examines the role of the book by the outstanding military historian, Colonel J.B.A. Charras (1810–1865), “The History of the Campaign of 1815. Waterloo” (1857), in F.M. Dostoevsky’s novel “The Idiot” (1868).
Nikolay N. Podosokorsky
doaj   +1 more source

Napoleon-Sun in Dostoevsky’s Novel Crime and Punishment [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2023
The article is dedicated to the historical and cultural fusion of the Napoleonic and solar myth and its reflection in Dostoevsky’s novel Crime and Punishment.
Nikolay N. Podosokorsky
doaj   +1 more source

“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment [PDF]

open access: yesДостоевский и мировая культура: Филологический журнал, 2022
The article is devoted to a specific socio-cultural phenomenon, called by the author “Napoleonic” Petersburg, and its reflection in Dostoevsky’s novel Crime and Punishment (1866). In the late 1830s — 1860s the Napoleonic myth manifested itself in several
Nikolay N. Podosokorsky
doaj   +1 more source

Héros, sauveur, homme du peuple ? La création et contestation des premiers masques théâtraux de Bonaparte sous le Directoire

open access: yesRevue Italienne d'Etudes Françaises, 2021
Combining archival research, reviews in the press, and scholarship on the Napoleonic legend, this article analyses five waves of plays that were linked to Bonaparte from 1797 to the coup of 18 Brumaire to give the first proper study of the creation and ...
Clare Siviter
doaj   +1 more source

Träume, Utopien, Visionen und Territorien: Annotationen zur Napoleonischen Ikonographie 1814–1941/44

open access: yesILCEA, 2018
The concepts “dream”, “utopia” and “vision”, which are widely used synonymously in this essay, are investigated with regard to territories using the example of the Napoleonic iconography. The pictorial Napoleonic reception is occasionally supplemented by
Oliver Benjamin Hemmerle
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JOSÉ MARÍA DE TORRIJOS Y LA TEORIZACIÓN DEL POLÍTICO ROMÁNTICO A TRAVÉS DE NAPOLEÓN BONAPARTE

open access: yesCuadernos de Ilustración y Romanticismo, 2018
I analyze the translation carried out by José María de Torrijos y Uriarte of the memories that Napoleón dictated to his generals Baron Gourgaud and Count of Montholon, and the introductory biography he added.
Manuel Alvargonzález Fernández
doaj   +1 more source

Fanatismo religioso y decadencia nacional

open access: yesMélanges de la Casa de Velázquez, 2017
The writings of Manuel Alonso de Viado during the Peninsular War offer evidence of the significant but largely ignored role played by the supporters of Joseph Bonaparte in the ideological development of modern Spanish liberalism.
Juan Pablo Domínguez
doaj   +1 more source

The legend of Rothschild as the “Napoleon of finance” in Dostoevsky’s novel The Idiot

open access: yesDostoevsky and World Culture. Philological journal., 2020
The article analyzes the Rothschild theme in the novel The Idiot, a motif strictly connected with the myth of Napoleon, in which Dostoevsky was keenly interested during all his artistic life. Both Napoleon’s and Rothschild’s features pertain to Napoleonic heroes such as Ganya Ivolgin and Ippolit Terentev.
openaire   +2 more sources

Napoleon Bonaparte as Hero and Saviour: Image, Rhetoric and Behaviour in the Construction of a Legend [PDF]

open access: yesFrench History, 2004
The media of the day represented three predominant models around Napoleon: the all-conquering victorious general, the virtuous republican who stood above factions, and the man who brought peace to the Continent. These images became the foundation of a 'hero-saviour' myth that helped Napoleon take power on his return from Egypt at the end of 1799 ...
openaire   +1 more source

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