Overview of the International Symposium “Napoleonic Myths in World Culture: Epistemology, Axiology, and Representations in Literature, Historiography, and Art” [PDF]
The present publication is an overview of the international symposium “Napoleonic Myths in World Culture: Epistemology, Axiology, and Representation in Literature, Historiography, and Art,” held at IWL RAS on October 3–5, 2016.
Elena D. Galtsova
exaly +4 more sources
The Religious Element of the Myth of Napoleon in the Novel Crime and Punishment: The Image of “Napoleon-Prophet” and the Mystic Sects of Russian Schismatics, Worshippers of Napoleon [PDF]
The article is dedicated to the presence of the Napoleonic myth in Dostoevsky’s novel Crime and Punishment (1866) through its religious aspect, namely the historical and cultural mergence of Napoleon and Mohammed and the worship of Napoleon among the ...
Nikolay N. Podosokorsky
doaj +3 more sources
Making War Pay for War. Napoleon and the Dutch War Subsidy, 1795-1806. [PDF]
Just over one decade ago, Pierre Branda published a study of Napoleonic public finance. The study marks a turning point in the historiography of Napoleonic war financing because, through relying on well-researched quantitative data, Branda lays to rest ...
Mark Edward Hay
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“Napoleonic” Petersburg and its Reflection in Dostoevsky’s Novel Crime and Punishment [PDF]
The article is devoted to a specific socio-cultural phenomenon, called by the author “Napoleonic” Petersburg, and its reflection in Dostoevsky’s novel Crime and Punishment (1866). In the late 1830s — 1860s the Napoleonic myth manifested itself in several
Nikolay N. Podosokorsky
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Napoleon-Sun in Dostoevsky’s Novel Crime and Punishment [PDF]
The article is dedicated to the historical and cultural fusion of the Napoleonic and solar myth and its reflection in Dostoevsky’s novel Crime and Punishment.
Nikolay N. Podosokorsky
doaj +2 more sources
Through the prism of aesthetics. Napoleonic myth in the works of Goethe and Nietzsche
The reception of Napoleon in Germany was carried out under the sign of an aesthetic myth. The aesthetic myth is understood as a set of theories, concepts and texts of culture based on the idea of transforming the world through artistic creativity ...
Aleksei L. Vol’skii
semanticscholar +2 more sources
Reader’s Notes and Thoughts About Napoleon: Notebook of the Torzhok Merchant Vasiliy Kozminykh [PDF]
The article is devoted to a personal document, the “notebook” of the Torzhok merchant Vasily Kozminykh (1852). The manuscript contains extracts from newspapers and journals, notes on local events, and historical discussions.
Tatyana N. Galasheva
doaj +2 more sources
The Battle of the Teutoburg Forest between the Germanic Cherusci chieftain Arminius, or Hermann, and the Roman armies under Varus (9 AD) had served as an analogy for German–French hereditary enmity since the Thirty Years’ War (1618–48).
D. Haarmann
semanticscholar +2 more sources
With the literary history of the anti-Napoleonic ‘Liberation Wars’ of 1813–1815 through to their bicentenary in mind, this article focuses on nation building and nationalism in novels produced between the 1850s and 1880s, before and after the ...
D. Göttsche
exaly +2 more sources
The article analyses the recent German historiography on the problem of the Liberation Wars (1806-1815). The author points out the fact that since the early 1970s the German scholars tend to revise the conventional conception of the Liberation Wars which
Sterkhov Dmitry Vladimirovitch
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