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AfroReggae and Grupo Cultural Afro Reggae: A Study of the Early Years
The following study of AfroReggae and Grupo Cultural Afro Reggae (GCAR) calls attention to Brazilian presence and community organizing in the field of Hip Hop studies with a long memory framework: placing AfroReggae and GCAR in a long history of Africana
Ohmer, Sarah S
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LA ‘NARCO-CULTURA’ COMO INFLUENCIA DE LA CRIMINALIDAD EN EL DISTRITO DE MEDELLÍN (COLOMBIA) [PDF]
y a su vez se expresa en determinado contexto. La cultura se asume como unpolisémico y complejo entramado interdisciplinario. De lo anterior, se puede ratificarque las sociedades se desarrollan a través de complejos sistemas de signos queorganizan y dan ...
Morales Urrego, Sandra Milena +2 more
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Iuri Lotman: a análise da cultura segundo a perspectiva da complexidade e da transdiciplinaridade [PDF]
We have several objectives in this article. Firstly, we return to the category of semiosphere due to its dialectical and polysemic character, but we also introduce some reflections in order to analyze more complex cultural productions. In this same sense,
Haidar, Julieta
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Aldona Bialowas Pobutsky. Pablo Escobar and Colombian Narcoculture .
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Forced Disappearances and the Inequalities of a Global Crime [PDF]
AmericasBarometer. +12 more
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La présente thèse étudie les représentations narratives et formelles des personnages féminins dans le narco-cinéma videohome mexicain et mexicano-états-unien, un cinéma à petit budget qui dépeint les activités violentes des cartels de drogue au Mexique.
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Trivial or Valid?: On Class Conflict and Envy in Prime Video’s Cochina Envidia [PDF]
Copello-Duque, Verónica
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Mapping relations in world literature: the German Romantic-Latin American connection [PDF]
Haase, Jenny, Neilly, Joanna
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‘El narco está de moda’: Corporeality, Gender Violence and Narcoculture in Culiacán, Sinaloa
Bulletin of Hispanic Studies, 2023This article considers how the figure of the buchona can be seen as another form of victimization for women in north-western Mexico. It focuses on previous representations of gender violence by the photographer Mayra Martell in her photography series Ensayo de la Identidad (2005–2020) and her more recent project
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