Results 21 to 30 of about 61 (34)

Escribir sobre el narcotráfico: relatos adictivos

Since the popularization of drugs in the mid-twentieth century and their social, econo-mic, and cultural impact, the entire planet has been transformed.
Fonseca, Alberto, Soler, Carlos
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Presencias y persistencias de la violencia en las Narconarrativas colombianas

, 2019

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Las diferencias categoriales entre narcoépicas, narconarrativas y narconovelas. Cuestiones abiertas

, 2018
Herlinghaus, Hermann
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Zur Darstellung der Weiblichkeit in ausgewählten „Narconarrativas“ (Populärkultur, Roman, Film)

, 2012

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Conceptos abiertos - discusiones inciertas. Comentarios en torno a las narconarrativas latinoamericanas

, 2016
Herlinghaus, Hermann
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Religion und Rituale in den narconarrativas : die paradoxe Koexistenz von Religion und Gewalt im Leben der sicarios

, 2019

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Narconarrativas : poshegemonía y espacio en la literatura mexicana = Narconarratives : posthegemony and space in Mexican contemporary fiction

, 2019
On a local and global scale, narcoliterature narrates the effect of narcotrafficking in Latin America. As many have observed, narcotrafficking is a clear sign of our current epochal crisis. It suggests a spatiality crisis which is clearly depicted by the narconarratives. Is not narcotrafficking after all indebted in territorial conflicts?
G. Martínez, J. Ricardo
semanticscholar   +2 more sources

Tales of (Self-)Destruction: Zombies, Soldiers, and Biopolitics in Two Mexican Narco Short Stories

Mexican Studies/Estudios Mexicanos, 2021
:Narconarratives often portray drug-trafficking culture through an “us versus them” or “friend versus enemy” Manicheism. This dichotomy erases the role of the government in the history of narcoviolence and reproduces a formulaic and a marketable “good ...
Angel M. Díaz-Dávalos
semanticscholar   +1 more source

Violence, between Realism and Tragedy in Auteur Mexican Cinema: Sin señas particulares (2020) by Fernanda Valadez

Mexican Studies/Estudios Mexicanos
:Sin señas particulares (Mexico City, 2020), directed by Fernanda Valadez, situates contemporary violence in Mexico within the framework of tragedy. The film follows a mother’s harrowing journey to the northern border of Mexico, as she searches for her ...
Bárbara Pérez Curiel
semanticscholar   +1 more source

A Political History of Spanish: The Making of a Language ed. by José Del Valle (review)

, 2015
Israel Sanz-Sánchez
semanticscholar   +1 more source