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Narrative Criminology: Crime as Produced by and Re-Lived Through Narratives
, 2017 The origins of “narrative criminology”—meaning not so much the utilization of the narratives of (and on) criminals as the awareness of the importance of the narratives themselves and how they can become a focus of criminological research—are framed within the so-called narrative wave in the field of human sciences; but a deeper look into the history of
Alfredo Verde, VERDE ALFREDO
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Doing Dialogical Narrative Analysis: Implications for Narrative Criminology
2019Abstract Arthur W. Frank's dialogical narrative analysis (DNA) has been a recent addition to the plethora of methods in analysing stories. What makes this method unique from the rest is its concern for both the story's content and its effects. Stories are seen as selection/evaluation systems that do things for and on people.
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Narrative Convictions, Conviction Narratives: The Prospects of Convict Criminology
2019Abstract Drawing inspiration from C Wright Mills exhortation to sociologists to locate themselves and their experiences in the ‘trends of their epoch’, I consider how first-hand experience of imprisonment can help criminology account for the growing trend towards the use of imprisonment in many Western democracies.
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2019
Abstract This chapter draws on previous work calling for a narrative criminology sensitive to fictional stories about how we have instigated or sustained harmful action with respect to the environment. It begins by offering some defining features of narrative criminology, before turning to two examples of narrative criminological work
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Abstract This chapter draws on previous work calling for a narrative criminology sensitive to fictional stories about how we have instigated or sustained harmful action with respect to the environment. It begins by offering some defining features of narrative criminology, before turning to two examples of narrative criminological work
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2021
The purpose of this chapter is to twofold: to introduce narrative as a research method and as an organising principle for criminological theory. It begins by distinguishing six levels of criminological inquiry – approaches, frameworks, theories, models, methodologies, and methods – and their relationships with narrative ...
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The purpose of this chapter is to twofold: to introduce narrative as a research method and as an organising principle for criminological theory. It begins by distinguishing six levels of criminological inquiry – approaches, frameworks, theories, models, methodologies, and methods – and their relationships with narrative ...
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Crime, Media, Culture: An International Journal, 2022
There is great scope for narrative criminology and historical criminology to come together and, in collaboration, find ways for the practices of each to strengthen the other. Ultimately, both have a shared focus: the stories (past and present) that we use to make sense of crime, and the criminal justice system.
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There is great scope for narrative criminology and historical criminology to come together and, in collaboration, find ways for the practices of each to strengthen the other. Ultimately, both have a shared focus: the stories (past and present) that we use to make sense of crime, and the criminal justice system.
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2020
Narrative criminology is a relatively new theoretical perspective that highlights the influence of stories on harmful actions and patterns of action. Narrative criminology researchers study stories themselves, rather than what stories report on, for effects.
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Narrative criminology is a relatively new theoretical perspective that highlights the influence of stories on harmful actions and patterns of action. Narrative criminology researchers study stories themselves, rather than what stories report on, for effects.
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Cultural criminology and narrative criminology’s shared interests
Tijdschrift over Cultuur & Criminaliteit, 2020Cultural criminology and narrative criminology’s shared interests – More than just criminological verstehen This article explores the intersection of two criminological perspectives—cultural criminology and narrative criminology. Taking inspiration from Mills and Fleetwood’s article, ‘Prepping and verstehen: A narrative criminological ...
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Conclusion: Criminology of Narrative Fiction
2021The purpose of this chapter is to reflect on the development of the argument for a theory of criminological fiction in the previous six chapters. The chapter opens with an extended example, Martin Scorsese’s The Departed (2006), which demonstrates the way in which the three aetiological ...
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Toward a counterfactual narrative criminology: the IF Project
Contemporary Justice Review: Issues in Criminal, Social, and Restorative JusticeMaureen Hillhouse
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