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Religion in Nasca Culture

2016
The cosmocentric relation with nature was one of the factors that influenced the expression of the religious world of the Nasca Culture . In the earliest period of the Nasca civilization, deities belonging to the pantheon of the Paracas culture were represented, even if they were modified in their symbological content.
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The Nasca

Choice Reviews Online, 2002
Helaine Silverman, Donald A. Proulx
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Cahuachi in the Ancient Nasca World

The Latin American Anthropology Review, 1994
Cahuachi in the Ancient Nasca World. Helaine Silverman. Iowa City: University of Iowa Press, 1993. 376 pp. $59.95 (cloth). ISBN 0–877445–407–8.
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Twelve Nasca Panpipes: A Study

Ethnomusicology, 1979
aithful production of sound, as originally intended, is achieved with instruments that have not undergone any significant change since their construction. Instruments made of clay or stone meet this requirement of preservation over long periods. The dry climate prevalent on the Peruvian coast has preserved fragile textiles and also musical instruments (
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Nasca origins and Paracas progenitors

Ñawpa Pacha, 2016
The origins and endings of Nasca culture lie with the appearance, florescence, and termination of Nasca religion (south-coastal Peru, Early Intermediate Period, ca. 100 B.C.–A.D. 600).
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The Paracas–Nasca Cultural Sequence

2016
Paracas cultural expression originated on the southern coast of Peru. Through constant evolution, it gave rise to a number of different manifestations. The main stages named Paracas Cavernas and Paracas Necropolis (by J. Tello) were based on the types of tombs found during the excavations and the characteristics of associated materials, mainly ceramics.
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Nasca

2021
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Nasca Historical and Cultural Analysis

2016
Peruvian prehistoric man faced considerable difficulties to adapt to climatic and environmental situation of the area. The first coastal settlements are dated between 6000 and 3500–3000 BCE. The needs, arising from living in extremely adverse and diversified environments, led the first inhabitants to adapt physically and spiritually to a new reality ...
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Nasca Line

2021
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Nasca

2003
Anthony Aveni, Madeline McLeod
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