Abundant production of dimethylsulfoniopropionate as a cryoprotectant by freshwater phytoplanktonic dinoflagellates in ice-covered Lake Baikal. [PDF]
Toda K, Obolkin V, Ohira SI, Saeki K.
europepmc +1 more source
«No debe autorizarse». Censura previa de la obra de Natalia Ginzburg en la España franquista
During the Franco regime, Spain was completely transformed, muzzled by a relentless censorship that stagnated all critical and free initiative. This long period of obscurantism was a necessary resource for the regime to ensure a tight control over the ...
Silvia Datteroni
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Il caso “L’Iguana”: scelte editoriali, scarti, misteri e soluzioni da un testo di Anna Maria Ortese
Anna Maria Ortese’s L’Iguana is one of the most enigmatic pieces of her entire work. At the National Archive of Naples, where all Ortese’s unpublished works are kept, one may find a large collection of papers on L’iguana: scraps, notes and several ...
Marco Ceravolo
doaj
Jewish anatomic pathologists in the time of Italian Racial Laws. [PDF]
Patriarca C, Sirugo G, Barbareschi M.
europepmc +1 more source
Performance of Radiologists in the Evaluation of the Chest Radiography with the Use of a "new software score" in Coronavirus Disease 2019 Pneumonia Suspected Patients. [PDF]
Bagnera S +6 more
europepmc +1 more source
Causal Relationship between Physiological and Pathological Processes in the Brain and in the Gastrointestinal Tract: The Brain-Intestine Axis. [PDF]
Reutov VP, Sorokina EG.
europepmc +1 more source
Scrittture al femminile. Natalia Ginzburg
Natalia Ginzburg è stata tra le più sensibili narratrici del Novecento letterario italiano. Per la profonda umanità e spiccata moralità, non può non essere ricordata a poco più di cento anni dalla sua nascita. Vicina agli ambienti colti degli intellettuali antifascisti, la sua produzione fu varia e spaziò dalla narrativa, alla saggistica, al teatro. Ma
openaire +2 more sources
Alla ricerca delle drammaturghe perdute
Most of the academic articles that look at the development of 20th century Italian women’s theatre begin with a discussion of the dramatic works of narrators such as Natalia Ginzburg and Dacia Maraini, or performers such as Franca Valeri and Franca Rame.
Daniela Cavallaro
doaj
“Essere formica e cavallo insieme”. Natalia Ginzburg e la traduzione
Angela Albanese
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