Results 21 to 30 of about 1,033 (171)
SCREEN FORMS AT BIENNIALS OF CONTEMPORARY ART / ЭКРАННЫЕ ФОРМЫ НА БИЕННАЛЕ СОВРЕМЕННОГО ИСКУССТВА [PDF]
Наука телевидения, 2020 Video today is a popular tool for artists of postmodern, poststructuralist, post-conceptual orientations. These practices have not yet developed their economic model and have spread mainly through biennials and festivals of contemporary art, as the main ...
KARTSEVA EKATERINA A. / КАРЦЕВА Е.А.
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YUGOSLAV PAVILIONS AT WORLD EXHIBITIONS [PDF]
AR: Arhitektura, Raziskave, 2014 The paper aim is to present the architecture of Yugoslav pavilions built in four different World Expositions: Barcelona (1929), Paris (1937), Brussels (1958), and Montreal (1967).
Lara Slivnik
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INTERNATIONAL CRITICAL RECEPTION OF PROPAGANDIST EXHIBITIONS OF POLISH ART IN THE 1920S AND 1930S [PDF]
Studia Humanistyczne AGH, 2019 The goal of this article is first of all to describe the reception of exhibitions of Polish interwar art in the foreign press. I pay closer attention to those of exhibitions that were most prestigious and acclaimed, such as the Venice Biennale, where ...
Diana Wasilewska,
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Mudéjar and the Alhambresque: Spanish Pavilions at the Universal Expositions and the Invention of a National Style [PDF]
Art in Translation, 2017 Spain's complex relationship with its Islamic architectural heritage was brought into particular focus through the prism of its national pavilions that were built for the Universal Expositions of the late nineteenth and early twentieth centuries. This paper explores how Spain chose to represent itself in several key expositions of the 1860s and 1870s ...
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How La Biennale as a Brand was Born. Venice as the Archetype of a Biennial City
OBOE, 2020 “When discussing the Biennale, it is impossible to ignore the particular importance of Venice as its host city”. The history of the bond between Venice and the Venice Biennale has become an archetype for all those cities that, from the end of the 1980s ...
Vittoria Martini
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Gallia, 2022 The study of an ancient iron and steel production area located in the eastern part of the Sillé-le-Guillaume state forest (Sarthe) led to a renewal of research into the nearest rural settlement dated to the Roman period and situated between the ...
Florian Sarreste +13 more
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OBOEThe 45th International Art Exhibition held in 1993 represents a watershed in the history of the Venice Biennale. This was due to the transitional historical moment from the end of the Cold War to the onset of globalization, but also to the contribution ...
Matteo Bertele
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Complex history as a source of planning problems: Old Belgrade fairground [PDF]
Spatium, 2006 The Old Belgrade Fairground complex is the large area in the center of Belgrade that is completely isolated from other parts of Belgrade: it is one of the most devastated city areas, populated by poor inhabitants, often by those from the marginal groups,
Vukotić-Lazar Marta, Đokić Jasmina
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Archaeological Prospection, EarlyView.ABSTRACT The Roman city of Doclea is a key archaeological site of Montenegro, valued for its impressive remains and its role in the nation's cultural identity within European and the Mediterranean history. Doclea was the second‐largest city in the province of Roman Dalmatia, a municipium created in the first century ad and named after the Illyrian ...
Tatjana Koprivica +5 more
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Art and Politics at the Venice Biennale: The Portuguese Case
OBOEThe organisation of national pavilions is the Venice Biennale’s most controversial aspect. However, this feature makes the Biennale’s narrative especially intriguing, as it represents a crucial point where art and politics are inherently connected. This
Ughetta Molin Fop
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