Results 31 to 40 of about 790,198 (217)

Response to Tim Barringer, A White Atlantic?

19, 2009
In my response to Tim Barringer’s piece, I emphasize the importance of extending one’s frame of reference when discussing transatlantic artistic connections to the consideration of as many different art forms as possible – including photography, and ...
Kate Flint
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Sonny Assu: A Fresh Perspective on the World of Contemporary Art [PDF]

, 2015
Native American art has previously been out of the traditional scope of the art world; only recently has it begun to truly make its transition from the world of anthropology museums into the western contemporary art discourse.
Stockham, Caleb
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Caddo Pottery in Modern and Contemporary Art and Protection of Native American Cultures in Fine Arts by the IACB’s Indian Arts and Crafts Act [PDF]

, 2012
Hello, my name is Chase Kawinhut Earles. I was named by Julia Edge, daughter of Pauline Washington, who was the granddaughter of the Caddo chief, George Washington.
Earls, Chase K.
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Repatriation and the Radical Redistribution of Art [PDF]

, 2017
Museums are home to millions of artworks and cultural artifacts, some of which have made their way to these institutions through unjust means. Some argue that these objects should be repatriated (i.e.
Matthes, Erich Hatala
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Collecting Women’s Art and Native American Artificates: Issues for Museum Curators [PDF]

, 1990
Egalitarianism is quite possibly the education buzzword of the eighties. Egalitarianism is belabored in the literature of late that it seems inconceivable that any person or institution with any degree of social responsibility has not yet acted to ...
Wilton, John
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[Review of] Frederick J. Dockstader. The Kachina and the White Man: The Influences of White Culture on the Hopi Kachina Cult [PDF]

, 1987
To the delight of scholars of Native American studies and all other readers with even a passing interest in traditional Puebloan cultures of the American Southwest, Frederick Dockstader\u27 s classic study, The Kachina and the White Man, now has been ...
Osborn, Nancy M.
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Officially Indian: Symbols That Define the United States

Panorama, 2018
Cécile R. Ganteaume Washington, DC: National Museum of the American Indian, Smithsonian Institution, 2017; 192 pp.; 50 color illus.; ISBN: 978-1-5179-0330-5; Hardcover: $28.00 Reviewed by: Kristine K.
Kristine K. Ronan
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Face to Face, Carl Beam and Andy Warhol

, 2018
Keira Koch ’19 examines representations of indigenous cultures in prints and photographs by American artist Andy Warhol and First Nations artist Carl Beam.
Koch, Keira B.
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Native Artists: Livelihoods, Resources, Space, Gifts [PDF]

, 2009
Examines the experiences of Ojibwe artists in Minnesota, including access to training, funding, space, paying markets, and institutional support; discrimination and isolation; and relationships with communities.
Ann Markusen, Marcie Rendon
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(From) A to B (and back) [PDF]

, 2010
‘(From) A to B (and back)’ is an article published in Printed Project (issue 13, July 2010). The issue theme was ‘Virtual Fictional’ and O’Riley’s contribution is a reflection on narrative, reading, uncertainty and de-familiarization, and how these ideas
O'Riley, Tim
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