Recognition of Inscriptions and Decorations of Safavid Talisman Shirts Preserved in Iranian Museums [PDF]
Problem Definition: Safavid Talisman shirts are a particular type of ritual clothing, the most prominent feature of which is the extensive use of inscriptions and calligraphy.
Marziyeh Esmaeili, Alireza Sheikhi
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Frequency Analysis of Iranian Colors in Graphic Posters with the Theme of Iran [PDF]
Problem Definition: Relatively speaking, there are elements or phenomena in the universe whose origin, use, repetition, and representation have caused the formation of collective memories, and in their light, a sense of belonging or identity has been ...
Mansour Kolahkaj
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Conventional Methods of Shikasta Writing in the Qajar Period [PDF]
Problem Definition: Shikasta Nastaliq is the last written development in Iranian calligraphy, the peak of its use should be found in the Qajar period. The variety of Shikasta writing methods in the Qajar period can be categorized and reported according ...
Amir Farid
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Investigation of the non-place concept in Iranian photography with a look at the works of Mohammad Ghazali and Mehran Mohajer [PDF]
Problem definition: Non-place is a concept first introduced in 1992 by the French anthropologist Marc Augé. The present research seeks to investigate this concept in contemporary Iranian photography, using Augé’s theories. In this process, first, the non-
Morteza Sedighifard, Nasrin Larijani
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Analysis of the «Lattice (Lozenge-Band)» Pattern as a Common Design in the Zand Era Rugs [PDF]
Problem Definition: The research in Zand rugs has faced questions and missing links. During the historiography of the art of this period, the lack of resources had convinced the researchers that it is not possible to extract a text related to the rugs in
Samaneh Kakavand
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A Comparative Study of Power in the Paintings of Iran Darudi and the Plays of Heiner Muller [PDF]
Problem Definition: The paintings of «Iran Darroudi» and the plays of «Heiner Muller» apply contradictory viewpoints and literary imageries to discuss the concept of power as an artistic force independent from any political ideology, while affected by ...
Behrouz Ahmadzadeh Bayani, Reza Alipour
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Typology and Visual Analysis of Seyed Ali Akbar Golestaneh's Shikasta Script Writings [PDF]
Introduction: Seyed Ali Akbar Golestaneh is one of the prominent Shikasta scriptwriters whose works and status in the history of calligraphy have been the focus of calligraphy artists and researchers.
Mehran Behzadi +3 more
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Visual Analysis of the Writing System in the Stamps of the Pahlavi Era [PDF]
Introduction: The visual elements and the writing system in the stamps of the Pahlavi dynasty reflect cultural-ideological symbols and signal the political, economic, and social relations of that era.
Samaneh Ahmadi, Amir Farid
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Explaining Polyphony in Interactive Arts [PDF]
Introduction: Postmodernism serves as a dynamic foundation for the creation of new theories and forms that have brought about remarkable transformations across various fields. Some of these theories critique the very nature of modern art and pave the way
Maryam Foroughinia
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Revitalizing the Art of Persian Miniature Painting in the Urban Landscape and the Function of Citizens' Cultural Capital [PDF]
Introduction: The urban landscape, which includes a view with physical, functional, and cultural-semantic characteristics, provides a suitable ground for the representation of urban art and plays an important function in revitalizing Persian miniature ...
Zohreh Taher, Zahra Rahbarnia
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