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Affective priming in schizophrenia with and without affective negative symptoms
European Archives of Psychiatry and Clinical Neuroscience, 2003In the present study automatic perceptual sensitivity to facial affect information was examined in chronic schizophrenic patients. An affective priming task including subliminal and supraliminal presentations of sad and happy facial affect was administered to schizophrenia patients with a flat affect expression (n = 30), schizophrenia patients ...
Thomas, Suslow +2 more
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Cognition and Negative Affectivity
1994Cognitive approaches to the conceptualization, empirical investigation, assessment, and treatment of behavioral dysfunction are both widespread and abundant (Ingram, Kendall, & Chen, 1991). Once considered a radical departure from empirical psychological science, the necessity of the “cognitive revolution” in clinical psychology currently only merits ...
Vanessa L. Malcarne, Rick E. Ingram
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The Effect of Bullying Vignettes on Negative Affect
Issues in Mental Health Nursing, 2019The purpose of this study was to examine the influence of reading workplace bullying vignettes on negative affect. A within-subjects descriptive design and convenience sample was used. Fifty participants completed the Negative Affect Scale after reading written bullying vignettes and completed the Transportation Narrative questionnaire. Results provide
Joy Longo, Michael DeDonno
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Effects of negative affective sounds on P300
2016 13th International Conference on Electrical Engineering, Computing Science and Automatic Control (CCE), 2016P300 are event related potentials that are widely used; however, the performance of systems based on it decrease drastically when they are transported outside a laboratory environment where the stimuli can be isolated. Since isolation of the stimulus is not always practical it is desirable to study P300 when the subjects are receiving stimuli in other ...
Jennifer Ladd-Parada +3 more
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Philosophy Compass, 2009
Abstract Why do people seemingly want to be scared by movies and feel pity for fictional characters when they avoid situations in real life that arouse these same negative emotions? Although the domain of relevant artworks encompasses far more than just tragedy, the general problem is typically called the paradox of tragedy.
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Abstract Why do people seemingly want to be scared by movies and feel pity for fictional characters when they avoid situations in real life that arouse these same negative emotions? Although the domain of relevant artworks encompasses far more than just tragedy, the general problem is typically called the paradox of tragedy.
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Negative affectivity: the disposition to experience aversive emotional states.
Psychological bulletin, 1984D. Watson, L. Clark
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Health complaints, stress, and distress: exploring the central role of negative affectivity.
Psychology Review, 1989D. Watson, J. Pennebaker
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DS14: Standard Assessment of Negative Affectivity, Social Inhibition, and Type D Personality
Psychosomatic Medicine, 2005J. Denollet
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