Results 151 to 160 of about 169,404 (295)
Gambling, trauma, and the mind: a network analysis of online gambling and personal well-being. [PDF]
Helvich J, Novak L, Meier Z, Tavel P.
europepmc +1 more source
Abstract This essay advocates renewed attention toward Jungian literary criticism, emphasizing its unique and creative perspectives on both fictional worlds and on reading. A fresh turn to Jungian criticism offers, in particular, valuable insight for texts on the peripheries of the canon.
Edsel Parke
wiley +1 more source
The dark side of digital connectivity: smartphone dependency and body image issues in Filipino teens. [PDF]
Lacsa JEM.
europepmc +1 more source
Abstract Background Cognitive analytic therapy (CAT) offers a relational framework for understanding psychological difficulties, emphasising how early relational and socio‐cultural experiences are internalised and shape the self through a repertoire of reciprocal roles (RRs).
Deborah Charis Bell +1 more
wiley +1 more source
Disaster risk reduction and Evangelical Christianity: a case for pluriversality in practice. [PDF]
Watson SD.
europepmc +1 more source
From Everyman to Hamlet: A Distant Reading
Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
wiley +1 more source
Leave me alone! When does social support become a menace to pain management? [PDF]
Cordero D.
europepmc +1 more source
Does Tillich’s Theology of Art Have a Future? In Response to Russell Re Manning, "Theology of the End of Culture", Paul Tillich’s Theology of Culture and Art [PDF]
Stoker, W.
core +2 more sources
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley +1 more source

