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Chapter 3 Reconstructing subaltern perspectives in Nellie Campobello’s Cartucho
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Chapter 4 Choreography with Words: Nellie Campobello’s Search for a Writer’s Pose
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Nellie Campobello, la “otra” Revolución
2018Nellie Campobello, la “otra” Revolución es el discurso de ingreso a la Academia Mexicana de la Lengua de la escritora Rosa Beltrán. Es una reflexión de la obra Cartucho, de Nellie Campobello.
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Campobello, Nellie (1900--1986) and Campobello, Gloria (1911--1968)
2018Sisters Nellie and Gloria Campobello migrated from Northern Mexico to Mexico City in 1923 where they became influential figures in the development of Mexican dance and the professionalization of dancers. During the 1930s, as dancers, choreographers, teachers, and dance administrators, the Campobello sisters joined the government’s efforts to develop a ...
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“La soldadera y su ejemplo”.Representation of women in Cartucho, by Nellie Campobello [PDF]
Argumentos. Estudios críticos de la sociedadIt is impossible, at this point, to deny the growing social, political and cultural acti- vity of women in Mexican history. Recent research includes a wide range of women’s participation during different historical periods.
Cuamatzin Nieves, Grecia Samai
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Estilo e ideología de Nellie Campobello, la invisible
2023Analizaremos Cartucho (1931), el primer libro de estampas que Nellie Campobello (1900-1986) dedicó a la Revolución mexicana. Empezaremos por ilustrar que su prosa se caracteriza por la supresión de todo lo superfluo y que este rasgo de estilo se adecúa a la perspectiva subalterna transmitida: la autora norteña practica la omisión con miras a homenajear
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