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Introduction: Neo-Avant-Garde, Why Bother?
2021The introduction deals with the relevance of the term ‘neo-avant-garde’ for literature. The term is used most typically for experimental art forms from the long sixties (1955-1975), but sometimes extended to present-day pioneering art. The text relates the neo-avant-garde to three other dominant innovations of the twentieth century, namely the ...
Müller, Sabine, Bernaerts, Lars
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Medieval Multimedia and Neo Avant-Garde Visual Poetry
Serbian Studies Journal of the North American Society for Serbian Studies, 2022:The literary work of Vladan Radovanović, one of the main Serbian neo avant-garde authors, developed within the frame of multimedia poetics known as “vocovisual”—an artistic medium in which verbal and visual layers intertwine in the same line of ...
Miloš S. Jocić, Stefan Hayden
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Aesthetics and Hermeneutics, 2022
In the context of the postmodernist project completion the development of an art-historical methodology for the studying of the action art as one of the characteristic practices of the contemporary art becomes relevant. Combining genre-stylistic analysis
L. Menshikov
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In the context of the postmodernist project completion the development of an art-historical methodology for the studying of the action art as one of the characteristic practices of the contemporary art becomes relevant. Combining genre-stylistic analysis
L. Menshikov
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Ut pictura poësis: William Demby's Writings and the Roman Visual Neo-Avant-Garde
African American Review, 2022:In the 1950s and '60s, beyond his circle of writers and poets, William Demby frequented the Roman art community: He kept company with young artists such as Toti Scialoja, Mimmo Rotella, Francesco Lo Savio, and Mario Schifano.
Barbara Drudi
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Tuning in to the neo-avant-garde
2021Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period.
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Book Review: Gianluca Rizzo, Poetry on Stage: The Theatre of the Italian Neo-Avant-Garde
Forum Italicum, 2021the interlocutory posture in a text otherwise rigidly distributed like a treatise unmasks the Abbot, who oscillates, not always brilliantly, between demonstration and argumentation. Tuccini notes that the choice of French, not the author's mother tongue,
Federica Parodi
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