Results 21 to 30 of about 440 (171)

Il tempo e lo spazio, laggiù in fondo… Una doppia lettura di Leonora Carrington

open access: yesLea, 2023
This article analyzes Leonora Carrington’s Down Below from a double perspective. First, we want to offer an interpretative framework, in order to contextualize Carrington's literary production within the Surrealist avant-garde.
Federico Fastelli, Diego Salvadori
doaj   +1 more source

Die Leere des Politischen: Null-Texte zwischen Performance und Demonstration

open access: yesInternationale Zeitschrift für Kulturkomparatistik, 2023
The Political Void: ‘Zero Text’ at the Intersection of Performance and Demonstration This article defines the ‘zero text’ as a text that is completely absent(ed) and is replaced by its own paratext.
Mikhail Pavlovets
doaj   +1 more source

Sperimentare l’impegno nella poesia contemporanea. Alessandra Carnaroli: curare con la katana

open access: yesNarrativa, 2023
Cet article souhaite aborder la question de l’engagement dans cette tendance de la poésie italienne contemporaine qui, sans dédaigner la leçon tirée de la Néo-avant-garde, place le rapport entre idéologie et langage au centre de sa recherche.
Ada Tosatti
doaj   +1 more source

Jacques Maritain, Maurice Blondel, and the Ends of Art

open access: yesModern Theology, EarlyView.
Abstract This article reconsiders Jacques Maritain's philosophical poetics by situating it within his longstanding debate with Maurice Blondel over the nature and unity of intellect. I argue that Maritain's influential defence of artistic autonomy, first articulated in Art et scolastique (1920), is ultimately unsound.
Steven Toussaint
wiley   +1 more source

John Cage's Aria viewed through the prism of contextual determination [PDF]

open access: yesZbornik Radova Akademije Umetnosti, 2017
The paper analysis the three contextual layers of creating John Cage's Aria for solo voice performed by Cathy Berberia at the 'big stage' of musical neo-avant-garde in Darmstadt.
Radovanović Bojana
doaj  

Anti-linealidad temporal y la realidad de la ficción : el vanguardismo de la revista Crononauta (1964)

open access: yesAmnis, 2022
In 1964, the artist Alejandro Jodorowsky and the writer René Rebetez edited and launched Crononauta magazine in Mexico, proposed as a science fiction publication, and in which artists and writers such as Manuel Felguérez, Roland Topor, Fernando Arrabal ...
David AJ Murrieta Flores
doaj   +1 more source

TROPICAL FRENCH THEORY: Henri Lefebvre and the Reinvention of Urban Planning in Havana, Cuba (1968–1971)

open access: yesInternational Journal of Urban and Regional Research, Volume 50, Issue 4, Page 1003-1019, July 2026.
Abstract Contributing to global urban history, planning theory and the geography of ideas, this article discusses the travels of Henri Lefebvre’s The Right to the City in the wake of May 1968, in France. That year, under the direction of Mario González and Max Baquero, a small team including the Italian architect Vittorio Garatti, French planner Jean ...
William Kutz
wiley   +1 more source

Spiritual Manifest Destiny: B.A. Santamaria's Political Theology

open access: yesAustralian Journal of Politics &History, Volume 72, Issue 1, Page 3-13, March 2026.
This article offers a reading of B.A. Santamaria's political theology and its role in the making of contemporary Australian political imaginaries. The article charts the shifting targets of Santamaria's critique and activism, showing his departure from the perceived communist threat to a wide‐ranging attack on liberal and leftist social movements.
Clare Monagle
wiley   +1 more source

AIdeology: Unpacking the Ideology of Artificial Intelligence and Its Spaces

open access: yesAntipode, Volume 58, Issue 1, January 2026.
Abstract The argument advanced in this paper is that Artificial Intelligence (AI) is not simply a technology, but also an ideology that is influencing the values, beliefs, and worldviews of many people. Furthermore, this paper contends that the ideology of AI, henceforth AIdeology, has a strong spatial dimension.
Federico Cugurullo
wiley   +1 more source

Parsifal in the Margins. Wagner in the Interartistic and Intermedial Process of Vostell and Dalí’s el Fin del Parzival [PDF]

open access: yesActa Philologica
In the late 1970s, Wolf Vostell set out to materialize Salvador Dalí’s scenic project, conceived in the 1920s for Richard Wagner’s opera Parsifal, which was intended to be staged in Paris.
Julia Magdalena Piechocki-Serra
doaj   +1 more source

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