Results 51 to 60 of about 711,410 (230)

Blankness in post‐post‐postmodern poetry

Orbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source

Anti-linealidad temporal y la realidad de la ficción : el vanguardismo de la revista Crononauta (1964)

Amnis, 2022
In 1964, the artist Alejandro Jodorowsky and the writer René Rebetez edited and launched Crononauta magazine in Mexico, proposed as a science fiction publication, and in which artists and writers such as Manuel Felguérez, Roland Topor, Fernando Arrabal ...
David AJ Murrieta Flores
doaj   +1 more source

Italian neo-avant-garde in Soviet philology: An approach to the problem

Vestnik Tomskogo gosudarstvennogo universiteta Filologiya
The article studies the reception of Italian neo-avant-garde (Group 63) in Soviet philology. Italian neo-avant-garde was an experimental movement born in mid-1950s around Luciano Anceschi's literary magazine Il Verri (since 1956). In 1963 neo-avant-garde
A. Golubtsova
semanticscholar   +1 more source

DECOLONIZING CREATIVE GEOGRAPHIES OF ART BIENNIALS: A Study of Istanbul's Yeditepe Biennial through the Cultural Politics of Turkish Islamic Nationalism

International Journal of Urban and Regional Research, Volume 50, Issue 5, Page 1116-1132, September 2026.
Abstract This article examines the Yeditepe Biennial—Turkey's first Islamic and traditional arts biennial—as a creative festival shaped by the socio‐political and spatial dynamics of Turkish‐Islamist nationalism. Counterposed against the Istanbul Biennial and the Western‐oriented secular cultural legacy of the Turkish Republic, the Yeditepe Biennial ...
Hulya Arik, Sabrien Amrov
wiley   +1 more source

TROPICAL FRENCH THEORY: Henri Lefebvre and the Reinvention of Urban Planning in Havana, Cuba (1968–1971)

International Journal of Urban and Regional Research, Volume 50, Issue 4, Page 1003-1019, July 2026.
Abstract Contributing to global urban history, planning theory and the geography of ideas, this article discusses the travels of Henri Lefebvre’s The Right to the City in the wake of May 1968, in France. That year, under the direction of Mario González and Max Baquero, a small team including the Italian architect Vittorio Garatti, French planner Jean ...
William Kutz
wiley   +1 more source

La revanche de Sycorax: Kamau Brathwaite et une version caribéenne de la néo-avant-garde

, 2021
peer reviewedBrathwaite, who sadly died in February 2020, would have rejected any connection with any literary school or trend; however several features in his writing clearly partake of the general characteristics of the neo-avant-garde, with a clearly ...
Pagnoulle, Christine
core  

Spiritual Manifest Destiny: B.A. Santamaria's Political Theology

Australian Journal of Politics &History, Volume 72, Issue 1, Page 3-13, March 2026.
This article offers a reading of B.A. Santamaria's political theology and its role in the making of contemporary Australian political imaginaries. The article charts the shifting targets of Santamaria's critique and activism, showing his departure from the perceived communist threat to a wide‐ranging attack on liberal and leftist social movements.
Clare Monagle
wiley   +1 more source

Parsifal in the Margins. Wagner in the Interartistic and Intermedial Process of Vostell and Dalí’s el Fin del Parzival [PDF]

Acta Philologica
In the late 1970s, Wolf Vostell set out to materialize Salvador Dalí’s scenic project, conceived in the 1920s for Richard Wagner’s opera Parsifal, which was intended to be staged in Paris.
Julia Magdalena Piechocki-Serra
doaj   +1 more source

AIdeology: Unpacking the Ideology of Artificial Intelligence and Its Spaces

Antipode, Volume 58, Issue 1, January 2026.
Abstract The argument advanced in this paper is that Artificial Intelligence (AI) is not simply a technology, but also an ideology that is influencing the values, beliefs, and worldviews of many people. Furthermore, this paper contends that the ideology of AI, henceforth AIdeology, has a strong spatial dimension.
Federico Cugurullo
wiley   +1 more source

Echa awangardy — przypadek Juliana Kornhausera

Zagadnienia Rodzajów Literackich
This article examines the influence of avant-garde poetics on the poetry of one of the representatives of the New Wave — Julian Kornhauser. The text consists of two main parts. The first part explores how the creators of the New Wave perceived the avant-
Magdalena Piotrowska-Grot
doaj   +1 more source