Results 131 to 140 of about 223 (167)

Neo-Latin Epic Poetry on Telemach after Fénelon

2018
exaly   +2 more sources

The Relation between Robert Southwell’s Neo-Latin and English Poetry

Recusant History, 1984
Despite the importance attributed to Southwell in Louis Martz’s The Poetry of Meditation, his Latin poetry—overlooked in Leicester Bradner’s Musae Anglicanae and the subject of a solitary unsatisfactory discussion in Pierre Janelle’s Robert Southwell the Writer—has received little attention. Such neglect is not unusual.
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The Sixteenth Century “Pompa” in England and Scotland: A Neglected Kind of Neo-Latin Performative Poetry

Neulateinisches Jahrbuch, 2022
Abstract This article looks at the “pompa” (“parade, procession”), a special kind of poly-metric performative piece normally performed at a royal court, in which the various participants (usually Apollo and the Muses) cross the performance area or come forward seriatim to deliver a short address.
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Pontano’s Focilla: A protagonist of female agency and power in neo-latin erotic poetry?

2023
Giovanni Pontano (1426–1503) was one of the most prominent poets of neo-latin erotic poetry. Focilla is a female character of his late work 'Hendecasyllables' or 'Baiae' whom he dedicated 10 poems to. This work analyses her devices of agency and power by applying a close-reading approach.
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Edmund Spenser and Neo-Latin Literature: An Autograph Manuscript on Petrus Lotichius and His Poetry

Studies in Philology, 2003
AS scholars have come to attend more and more to readers' annota~tions as indicators of habits of reading, marked copies of books LI. owned by English writers have come under increasing scrutiny. But the extent to which these copies survive varies widely, from Robert Burton's vast library to what may be the single surviving volume owned by William ...
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Neo-Latin Poetry

The Classical Weekly, 1909
George Dwight Kellogg, Francis St. John Thackeray, Edward Daniel Stone   +2 more
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"Inermis amor". The motif of the theft of Cupid’s arms in Neo-Latin poetry

2018
Our objective in this paper is to highlight the existence of a motif, the theft of Cupid’s arms, which appears in numerous Neo-Latin epigrams; the beloved takes advantage of a chance encounter with Cupid to seize his characteristic attributes, especially the arrows and the torches.
Ruiz Sánchez, Marcos, Ruiz Sánchez, María   +1 more
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The reception of Italian neo-Latin poetry in English manuscript sources, c.1550-1720: literature, morality, and anti-popery

Seventeenth Century, 2021
Bianca Facchini
exaly  

Neo-Latin Poetry in the Kyivan Poetics: the Image of Rafajil Zaborovs'kyj

2005
In this paper the Author illustrates a few Neo-Latin poetical compositions that are found in the poetics manuals of the Kyiv-Mohyla Academy (17th-18th century). They pertain to the genus demonstrativum (epideictic genre), one of the genres into which oratory and poetry were divided, and the genre that more than others allowed poets to represent human ...
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The silent statue theme: complex imitation and Neo-Latin poetry

2016
This paper analyses how the topic of the silent statue is dealt with in Neo-Latin literature. The subject matter comes from the epigrams about Pythagoras of the Palatine Anthology. There are numerous Neo-Latin imitations of this topic that are complex as various sources are used at the same time.
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