Results 111 to 120 of about 289 (156)
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2016
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
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The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
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2010
In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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Introduction: In Pursuit of the Neo-Noir
2019The chapter extends existing scholarship by providing a coherent history and comprehensive definition of neo-noir. Referencing various examples from film and television to make its considerable range clear—it argues for equivalent breadth in its critical interpretation.
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Representation of Space in Neo-Noir Films
2013There are many controversies regarding classic film noir, but as far as neo-noirs are concerned, they are even greater. Known to a wider audience as crime thrillers, neo-noirs can be characterized as films with an incredibly flexible style, which push the limits of classic noir and overflow into many other genres.
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2012
Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
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Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
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