Results 11 to 20 of about 289 (156)
Late Modernist Noirs: Béla Tarr’s Damnation/ Kárhozat and György Fehér’s Passion/ Szenvedély [PDF]
Caietele Echinox, 2022 Since the 80s, a large number of films, manifestly indebted to the classic American noir films of the 40s and 50s, have been appropriately labeled neo-noirs.
Radu Toderici
doaj +1 more source
Akademisk Kvarter, 2021 This article critically analyses La fille inconnue/The Unknown Girl (Jean-Pierre Dardenne and Luc Dardenne, 2016) as a genre film that operates through a transnational mix of references to the French noir and neo-noir traditions.
Jamie Nicholas Steele
doaj +1 more source
Вісник Харківського національного університету імені В.Н. Каразіна. Серия: Теорія культури та філософіі науки, 2021 The issue of “genre memory” in the noir film language is one of the most relevant problems in the modern study of “black” cinema evolution. In spite of the fact that in the recent years, noir has significantly expanded its traditional artistic “cover ...
Nataliia Markhaichuk +2 more
doaj +1 more source
Diurnal and Nocturnal Cityscapes in Miami Vice
TV Series, 2022 Amid intense inter-network rivalry and the proliferation of cable, pay television and a nascent and competitive video industry, the major American Networks in the 1980s were faced with major challenges if they wished to continue attracting audiences and ...
Jean Du Verger
doaj +1 more source
Identity, Borders and the Environment
Akademisk Kvarter, 2021 This article examines the works of two contemporary French crime writers, Colin Niel and Antonin Varenne, whose crime novels are set in marginalized spaces and places in France: rural areas in the Hexagone and French Guiana.
Alice Jacquelin
doaj +1 more source
Journal of the Royal Anthropological Institute, Volume 29, Issue 1, Page 145-162, March 2023., 2023 Abstract This article critically explores the complex and contradictory meanings attached to conspicuous consumption in an informal settlement on the outskirts of Johannesburg. It examines why un(der)employed young people, especially young Black men, view the trappings of wealth in their midst and dismiss them as ‘fake’.
Hannah J. Dawson
wiley +1 more source
Kwartalnik Filmowy, 2016 Sitek recenzuje książkę Magdaleny Kempnej-Pieniążek Neo-noir. Ciemne zwierciadło czasów kryzysu (2015). Stwierdza m.in., że współcześnie nieokreślone i wielopostaciowe kryzysy dotyczą każdego mieszkańca globalnej wioski, a swoistym przepracowaniem tej ...
Wojciech Sitek
doaj +1 more source
« Ironihilisme » : le roman noir français sur un autre ton
Carnets, 2022 This article analyzes the ideological rupture and the ambiguity of the narrative voice at work in the French noir novel of the 21st century, in particular through the texts of the writers Jérôme Leroy, Antoine Chainas and DOA.
Stéphane Ledien
doaj +1 more source
Popular fiction and white extremism: Neo‐Nazi ideology and medievalist crime fiction
Literature Compass, Volume 19, Issue 11, November 2022., 2022 Abstract Dystopian near‐future fantasies of violent white revolution and genocide—most infamously, William L. Pierce's The Turner Diaries (1978)—are the most well‐known and studied fictions by white extremists. They are, however, not the only genre through which the extreme far‐right engage with popular culture.
Helen Young, Stephanie Downes
wiley +1 more source
Trudne rozwijanie niewykorzystanego potencjału
Kwartalnik Filmowy, 2018 Recenzja książki Kamili Żyto Film noir i kino braci Coen (2017). Jak pisze Helman, autorka poświęciła pierwszą, stosunkowo obszerną część pracy rozważaniom teoretycznym na temat pojęć noir i neo-noir, wykraczając daleko poza przedstawienie literatury ...
Alicja Helman
doaj +1 more source