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2016
The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
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The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique version of noir since the late 1940s, while drawing upon and contributing to global neo-noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of
Esther Yau, Tony Williams
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Journal of Adaptation in Film & Performance, 2012
At the time of its release Frogs for Snakes (1999), written and directed by Amos Poe, was criticized for its alleged formalism and gratuitous violence and some facile digs at Tarantino’s Pulp Fiction. Redressing these predominantly negative assessments, the present article views Poe’s overtly theatrical crime movie as a neo-noir parody which joins a ...
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At the time of its release Frogs for Snakes (1999), written and directed by Amos Poe, was criticized for its alleged formalism and gratuitous violence and some facile digs at Tarantino’s Pulp Fiction. Redressing these predominantly negative assessments, the present article views Poe’s overtly theatrical crime movie as a neo-noir parody which joins a ...
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2012
Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
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Als bedeutender Teil der Filmgeschichte prägt die Stilrichtung des „Film noir“ Filme bis in die heutige Zeit. Da der Film „Touch of Evil“ von Orson Welles aus dem Jahre 1958 offiziell als letzter Film noir angesehen wird, werden moderne Produktionen nicht mehr mit diesem Namen betitelt.
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2010
In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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In John Dahl and Neo-Noir: Examining Auteurism and Genre, Paul Monaco provides a focused inquiry into the first three feature films that director John Dahl made for theatrical release: Kill Me Again (1989), Red Rock West (1993), and The Last Seduction (1994).
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Neo-Noir and Noir-Lite: Masculinity and Postmodernist Aesthetics in New Retro-Noir
2007In the preceding chapters I have attempted to address the question of postmodernist filmic practices and gender representation by examining the use of filmic techniques associated with postmodernist cinema – such as irony, allusion or self-reflexivity – in genres associated primarily with the female audience.
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Introduction: In Pursuit of the Neo-Noir
2019The chapter extends existing scholarship by providing a coherent history and comprehensive definition of neo-noir. Referencing various examples from film and television to make its considerable range clear—it argues for equivalent breadth in its critical interpretation.
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