Results 21 to 30 of about 290 (156)
The Usual Suspects or the potency of falsity
Mise au Point, 2014 This essay seeks to contextualize Bryan Singer’s film The Usual Suspects within the general frame of generic references to noir and neo-noir traditions. Using these references to manipulate the spectator, the film works to redefine our approach to genre ...
Christophe Gelly
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Ciemna strona Polski? „Neo-noir” i kino policyjne w twórczości Patryka Vegi
Kwartalnik Filmowy, 2016 Wśród najistotniejszych cech nowego kina czarnego (neo-noir) szczególną rolę pełni transkulturowy charakter tego fenomenu. We współczesnej popkulturze neo-noir stał się jedną z dominujących tendencji, łatwo adaptując się do lokalnych uwarunkowań ...
Magdalena Kempna-Pieniążek
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Postures langagières chez Janis Otsiemi et Mongo Beti
Convergences Francophones, 2022 Cet article examine la posture langagière dans le roman d’Afrique francophone à partir des polars de Janis Otsiemi et Mongo Beti. Il pose l’hypothèse que la posture langagière chez ces deux écrivains traduit une réalité sociale, complexifiée par la ...
Adama Togola
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Panorama du roman policier au Mexique
Cahiers d’Études Romanes, 2003 Malgré sa diffusion depuis les années quarante par des collections de poche autochtones, le roman policier fut longtemps, au Mexique, un genre méprisé par la critique et les écrivains. Paco Ignacio Taibo II est le premier écrivain mexicain a légitimer et
Alba Lara-Alengrin
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Portraits de boxeurs noirs dans des magazines africains illustrés
Sur le Journalisme, 2021 FR. Cet article propose une analyse transversale de portraits de boxeurs noirs publiés dans des magazines africains de langue française entre 1953 et 1975.
Claire Ducournau
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Kwartalnik Filmowy, 2015 Recenzja książki „Świat był przemoczoną pustką”. Czarny kryminał Raymonda Chandlera w literaturze i filmie (2015) pióra Patrycji Włodek – publikacji poświęconej twórczości jednego z najwybitniejszych twórców kryminałów Raymonda Chandlera, a jednocześnie
Kamila Żyto
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ArtsThe production of suspense thriller films has recently surged in Taiwan. These films adopt narrative techniques and visual aesthetics reminiscent of classic and neo-noir Hollywood cinema but also address social issues in Taiwan and represent ...
Xinchen Zhu
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Journal of Religious History, Volume 50, Issue 2, Page 175-195, June 2026.Anti‐Protestantism was one of the reasons for the revival of missions during the interwar period. By the 1960s, however, Protestants were less and less often mentioned as a threat to missionary efforts, and the decline in inter‐confessional tensions was increasingly considered a relic of the past.
Giacomo Canepa
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M/C JournalThough the ‘official’ film noir period ended more than 60 years ago, the enigmatic allure of noir endures, lingering like the smoke from a femme fatale’s cigarette. IMDB defines the classic film noir period of American cinema as beginning with the film Underworld (1927) and ending with Touch of Evil (1958), while many consider that John Houston’s The ...
Rebekah Brammer +2 more
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When French Means White: About Citizenship and the Colonial Specificities of Racism in France
The Geographical Journal, Volume 192, Issue 2, June 2026.Short Abstract Racialised French citizens living in marginalised social housing neighbourhoods often experience that, despite holding formal citizenship, they are not considered as fully ‘French’. Differential citizenship, where not all nationals have access to the same social, political, and economic rights is not only a feature of France's colonial ...
Claske Dijkema
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