Chaser: A Modern Film Noir [PDF]
Chaser is a story about Devin, a city detective who has been investigating the kidnapping of the police captain???s wife, Melissa Florek. Devin???s search takes him to a seedy bar that is suspected to be a front for other illicit activities by the city???
Neel, Michael S. K.
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Robert Altman : erste bibliographische Notizen [PDF]
, 2010 Die folgende Arbeitsbibliographie entstand im Kontext eines Seminars zu den Filmen Altmans. Sie versteht sich als eine erste Durchsicht des Materials und soll fortgeschrieben werden.
Jebsen, Nina, Wulff, Hans Jürgen
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Unreasonable doubt: Politics and aesthetics in the crime novels of Horacio Vázquez Rial
Radical Americas, 2018 Horacio Vázquez Rial (Buenos Aires, 1947–Madrid, 2012) was an Argentine writer, historian and ex-militant in the Trotskyite Ejército Revolucionario del Pueblo (People’s Revolutionary Army, or ERP). He left Argentina for Spain in the mid-1970s and became
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La 'segnorina' neorealista tra melodramma e noir: La tratta delle bianche di Luigi Comencini
Annali Online dell'Università di Ferrara. Sezione Lettere, 2007 Italian critics of the early 50s labelled as "pink neo-realism" contemporary movies which tried to bring the aesthetics of the Italian Cinema of the Liberation back inside the boundaries of a more narrative and overtly mainstream cinema. Even though this
Francesco Di Chiara
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Attempts to evaluate locus suicide recombination and its potential role in B cell negative selection in the mouse. [PDF]
Front Immunol, 2023 Denis-Lagache N +17 more
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De la (in)visibilidad del campo infográfico. A propósito de los escenarios de Sin City (Miller, Rodríguez t Tarantino, 2005) [PDF]
, 2012 [Resumen] Según Román Gubern, la imagen infográfica ha fundado una nueva antropología de lo visible, haciendo posible la creación de imaginarios imposibles a través de la máquina.
Martín Núñez, Marta
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On the Road Again: James Sallis’s Neo-Noir Fiction
European Journal of American StudiesJames Sallis’s Death Will Have Your Eyes (1997), Drive (2005), and Driven (2012) comprise a triad of neo-noir narratives that exploit but also undercut the American archetype of the open road as a mythic space of possibility.
Robert Lance Snyder
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Au rendez-vous du Merveilleux noir : vers une féérie néo-gothique ?
M@GM@, 2016 Un lieu - et un genre – topique pour le déploiement contemporain des nouvelles fééries noires paraît sans conteste résider en poétique sérielle : le temps court de l’épisode marié au temps long de la saison, puis de la série accomplie, donne le rythme d ...
Isabelle-Rachel Casta
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image
IAFOR Journal of Cultural StudiesArguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil.
Jakob Jurisch
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Sobre la evolución de los géneros cinematográficos [PDF]
, 2016 La estética posmoderna es paradójica. Se produce como resultado de la yuxtaposición o el simulacro de elementos convencionales y vanguardistas. Estos paradigmas estéticos (cine clásico, moderno y posmoderno) no necesariamente corresponden a un desarrollo
Zavala, Lauro
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