Results 51 to 60 of about 319 (157)
In the Fall of 2000, I entered UCLA as a medievalist, eager to explore English and continental romance. But it wasn’t long before my course of study changed, thanks to Felicity Nussbaum’s seminar on a prominent network of eighteenth-century women writers, the Bluestockings, which quickly won me to a later period.
openaire +1 more source
Big Transfer Learning for Fine Art Classification. [PDF]
Zhao W, Jiang W, Qiu X.
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Architectural classics of the future
The article is devoted to the history of classical architectural tradition, which is considered as a development path of the meanings of anthropogenic space from the prehistoric era to the present day and as a basis for further transformation of the so ...
Дмитрий Швидковский +1 more
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Awareness and Attitudes of Art Students and Lecturers on Health Hazards Associated With Fine and Applied Arts Making in Nigeria. [PDF]
Ibenegbu CI, Ubah R, Ibenegbu QO.
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Multidisciplinary approach to the study of large-format oil paintings. [PDF]
Calderón-Mesén P +15 more
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From Beethoven to Beyoncé: Do Changing Aesthetic Cultures Amount to "Cumulative Cultural Evolution?" [PDF]
Sinclair NC +3 more
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Beauty in artistic expressions through the eyes of networks and physics. [PDF]
Perc M.
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Improving Deep Interactive Evolution with a Style-Based Generator for Artistic Expression and Creative Exploration. [PDF]
Tejeda-Ocampo C +2 more
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Compare the performance of the models in art classification. [PDF]
Zhao W, Zhou D, Qiu X, Jiang W.
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La dynamique de la rivalité dans L’Œuvre (1886) d’Émile Zola
This article examines the pervasive theme of rivalry in L’Œuvre (1886) by Émile Zola, focusing on three distinct forms. First, it explores the personal rivalry within the sphere of intimate relationships.
Shoshana-Rose Marzel
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