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2023
Abstract The value of global e-commerce business-to-consumer sales in 2022 is estimated at USD 5.4 trillion and predicted to reach USD 6.4 trillion, or one-fifth of sales worldwide, by 2024. Australia is therefore one of many jurisdictions scrambling to find a means to update its value-added tax (VAT), known domestically as the goods and
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Abstract The value of global e-commerce business-to-consumer sales in 2022 is estimated at USD 5.4 trillion and predicted to reach USD 6.4 trillion, or one-fifth of sales worldwide, by 2024. Australia is therefore one of many jurisdictions scrambling to find a means to update its value-added tax (VAT), known domestically as the goods and
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Netflix in Spain, Spain in Netflix
2020The arrival of Netflix in Spain represents a complete revolution in the distribution and consumption of audiovisual content. The platform has not limited its offer to what is already available in its catalogue, but has boosted the international distribution of some Spanish productions, which were already available on local channels.
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Netflix’s Speculative Fictions
2020Netflix’s Speculative Fictions: Financializing Platform Television argues that Netflix’s scaled expansion has hinged upon its ability not only to create, but more importantly to communicate, new forms and flows of potential value in platform capitalism, wherein capital is mobilized not only from direct revenue streams but also the new value assigned to
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2022
Abstract Transactions of the business are nothing but the culture of an organization—including its common ideals, principles, practices, and people—it is something rather intangible that acts as a basis for enhancing company development and success, and many organizations are failing to behave.
Lalit Kanore, Priti Masatkar
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Abstract Transactions of the business are nothing but the culture of an organization—including its common ideals, principles, practices, and people—it is something rather intangible that acts as a basis for enhancing company development and success, and many organizations are failing to behave.
Lalit Kanore, Priti Masatkar
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The euphoria with which Netflix was greeted among Nigerian filmmakers when it extended its business interest to Nollywood soon gave way to suspicion and controversy by scholars and lawyers. While funding and distribution, two major problems faced by the industry, are improved by Netflix’s investment and global reach, local exhibition companies have ...
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