Results 21 to 30 of about 994 (153)
PsyCh Journal, Volume 11, Issue 5, Page 684-690, October 2022., 2022 Abstract “Seeing with the mind's eye” and “hearing with the mind's ear” are two common indicators of musical imagery, and they can be referred to as “visual” and “auditory” musical imagery. However, a question remains open, that is, whether visual and auditory imagery of the same musical composition share the same neural mechanisms.
Morteza Izadifar +4 more
wiley +1 more source
Judgments of mathematical beauty are resistant to revision through external opinion
PsyCh Journal, Volume 11, Issue 5, Page 741-747, October 2022., 2022 Abstract We here address the question of the extent to which judgments of mathematical beauty (which we categorize as biological beauty) are resistant to revision through external opinion. A total of 100 mathematicians of different national and ethnic origins were asked to rate 60 mathematical equations for their beauty; after being presented a ...
Haoxuan Zhang, Semir Zeki
wiley +1 more source
Neuroaesthetics: a narrative review of neuroimaging techniques
, 2021 . As a new discipline, neuroaesthetics has developed rapidly to become an important branch of neuroscience. The study of neuroaesthetics is of great significance to understanding the mechanisms underlying human aesthetics.
Xiangyu Yang +3 more
core +1 more source
A Kinetic Ecological Approach to Beauty Perception: A Perspective Review on the Case of Symmetry and the Golden Ratio. [PDF]
Eur J NeurosciPerception through Environmental Affordances: Objects offer invariant features for interaction, symmetry, and golden ratio could be aesthetic affordances. Common Environmental Features (circadian rhythm, 3D environment, gravity etc.) could be internalized, leading individuals to expect regularities in aesthetic perception.
Iosa M, Lucia MP, Salera C.
europepmc +2 more sources
Human faces and face‐like stimuli are more memorable
PsyCh Journal, Volume 11, Issue 5, Page 715-719, October 2022., 2022 Abstract We have previously suggested a distinction in the brain processes governing biological and artifactual stimuli. One of the best examples of the biological category consists of human faces, the perception of which appears to be determined by inherited mechanisms or ones rapidly acquired after birth.
Marianna E. Kapsetaki, Semir Zeki
wiley +1 more source
Recent advancements in neuroarts and neuroaesthetics have elucidated the relationship between artistic engagement and neural processes, emphasizing the impact of aesthetic experiences on cognitive and emotional well-being. Central to this exploration is the NeuroArts Blueprint initiative, which consolidates interdisciplinary research to better ...
Hutson, James, Hutson, Piper
openaire +3 more sources
Dreaming and Neuroaesthetics [PDF]
, 2015 This paper, which is limited to the art of painting, aims to support the idea that a substantial insertion of concepts and methods drawn on dream psychology and dream neuroscience can contribute to the advancements of Neuroaesthetics.
Umberto eBarcaro +5 more
core +1 more source
Making sense of space:The neuroaesthetics of architecture
, 2022 In this chapter, we provide a review of the state-of-the-art neuroaesthetics of the built environment. Assuming varying levels of neuroscientific knowledge with the readers, we commence with a brief introduction to the two main methods in neuroaesthetics,
Djebbara, Zakaria; id_orcid +2 more
core +1 more source
Visualized Analysis of Neuroaesthetics Research: A Review Based on CiteSpace
, 2019 1.Full record and cited references from all articles and reviews published in Neuroaesthetics journals between 1991 and 2018 were exported as text files. We used the keyword“neuroaesthetics”to search the literatures.
Wang, X
core +2 more sources
Phenomenology and Neuroaesthetics
Aisthesis. Pratiche, linguaggi e saperi dell’estetico, 2015 Phenomenology is not the simple description of a fact, but rather the description of an intentional immanent moment, and it presents itself as a science of essences, and not of matter of facts. The Leib, the lived body of the phenomenological tradition, is not a generic corporeal reality, but rather an intentional subject, a transcendental reference ...
openaire +4 more sources