Results 201 to 210 of about 3,417 (244)
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The New Brutalism

October, 2011
OCTOBER 136, Spring 2011, p. 37. © Alison and Peter Smithson from Architectural Design, April 1957, p. 113. This short text was the Smithsons’ contribution to “Thoughts in Progress,” a monthly discussion forum in Architectural Design, the April 1957 issue of which was dedicated to New Brutalism.
Alison Smithson, Peter Smithson
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New Brutalism

2003
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New Brutalism, new nation: Ram Karmi’s assimilation of Brutalism in Israel’s arid region architecture

The Journal of Architecture, 2021
In this article, I discuss the impact of Brutalism in Israel. I look at the Negev Centre (1962–1965), one of Israel’s first Brutalist buildings by the Israeli architect Ram Karmi.
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Brutal or a blessing? Reactions to the new EIF

Headteacher Update, 2020
Headteachers have described the new Ofsted inspection regime as ‘brutal’. Unsurprisingly, the chief inspector disagrees. Suzanne O'Connell looks for the truth behind the impact of the EIF so far
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Stand News: Livestreaming Protests and Fighting Police Brutality

2021
Online media have been an essential source of information in the anti-ELAB movement. In fact, from television to newspapers, traditional media are no longer the first choice of consumers of news in Hong Kong (CUHK, 2020). Among online media outlets, Stand News stands out because of its live broadcasting and the respect that audiences have for its ...
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Justifying brutality : news readers' perceptions of police violence and race

2023
[ACCESS RESTRICTED TO THE UNIVERSITY OF MISSOURI AT REQUEST OF AUTHOR.] Over the past few decades, police brutality has attracted the attention of the American public and news media. With increased attention, one topic of interest pertains to how audiences process news about police brutality.
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Brutal New Orders

2021
Michael J. Lyons, David J. Ulbrich
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British Brutalism, the ‘New European Drama’, and the Role of the Director

New Theatre Quarterly, 2005
The explosion of new theatre writing in Britain during and since the 'nineties contrasted with a dearth of original plays on continental Europe, east and west. Sanja Nikcevic attributes this in part to the dominance over the previous decades of the role of leading directors, who increasingly sought out raw materials to shape productions conforming to ...
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