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Cranial Modeling and Neolithic Bone Modification at 'Ain Ghazal : New Interpretations
Paléorient, 2001Two crania from 'Ain Ghazal exhibit evidence of modeling as well as "cutmarks " or "scratches. " Striations on one cranium have been misinterpreted : the marks are a result of Neolithic sanding, not defleshing. Further study of the marks on the second cranium is needed before can be interpreted. Both crania are examples plastered skulls.
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The five poems below, as will be evident to the reader, are as “contemporary” as any poems in Persian, at least thematically. With shocking clarity, they are “about” traumatic experiences that have shaped recent Iranian history: revolution and war.They are all the more shocking in this respect: for their choice of language and imagery.
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“Every New Flower Arriving in the World”: Sa‘di and the Art of Ghazal Writing
2015This chapter is dedicated to the strategies used by Sa’di to infuse his adopted traditional lyric forms with freshness and surprise. Poetic repetition, similarity and dissimilarities of the images, new application of old tropes, and suppressed laughter in the background are discussed in this ...
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Four New Ghazalles of Nergisî Discovered
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